Alfred's Group Piano

Long recognized as the leading piano trio in a competitive field, the Beaux Arts Trio is known for precise, straightforward performances and recordings of everything in the standard Central European trio literature. In concert, the group makes frequent forays into contemporary and non-mainstream music, but this is hardly evident in its conservative discography. The trio made its debut July 13, 1955, having been assembled by French violinist Daniel Guilet; his inclination was to name the ensemble after himself, but he settled on a French name that would outlast the group's initial personnel.

Ingrid Haebler became one of the 20th Century's leading interpreters of the Viennese classic piano composers. She came to the piano as a little girl, making her public debut in Salzburg at the age of eleven. She studied at the Salzburg Mozarteum, the Vienna Academy, and the Geneva Conservatory. She also was a pupil of the French pianist Marguerite Long., She won two prizes in 1954, one in Geneva and one in a Schubert competition at Geneva.

Conductor Peter Phillips is one of the leading lights in the world of British choral music, best known as the director of the prolific and durable group The Tallis Scholars. He is also a noted scholar, radio and television presenter who has done much to popularize Renaissance music, a music label founder and executive, and an educator. Phillips was born on October 15, 1953, in Southampton, England. He studied at St. John's College, Oxford University, as an organ scholar. By the time he graduated in 1975, he had gained a grounding not only in choral and organ music but in music history, studying with two of the leading British musicologists of the day, Denis Arnold and David Wulstan. In 1973, Phillips assembled a group of singers from Oxford and Cambridge to perform Renaissance music and named them The Tallis Scholars in honor of English Renaissance composer Thomas Tallis. The term "Scholars" was not merely fanciful, for the singers were all choral scholars from the various colleges of the two universities. Phillips held teaching posts at Oxford, the Royal College of Music, and Trinity College of Music, but the activities of The Tallis Scholars expanded after they established themselves formally in 1978.

This record contains the complete works for piano duo (piano 4-hands and 2 pianos) by Paul Hindemith (1895–1963). While Hindemith was foremost a violist, not a pianist, he knew his way around the piano, and this familiarity is reflected in his compositions for the instrument, all of a decent technical level and featuring great originality of expression. Even if he doesn’t immediately spring to pianists’ minds, he deserves to be included – alongside Debussy, Schönberg, Ravel, Stravinsky, Bartoìk and Prokofiev – in the small group of innovators who significantly enhanced the piano repertoire in the early 20th century, Hindemith in particular with his Suite 1922, three solo piano sonatas and Ludus Tonalis.

Piano is Philip Glass’ primary instrument (he also studied violin and flute); he composes at the keyboard. With its seemingly contradictory elements of lyricism and percussiveness, it is in some ways the ideal medium for Glass’ musical language. With its deep roots in tradition (spanning the Classical, Romantic and Modern eras), the instrument embodies the composer’s desire to merge new ideas with classic forms. It is perhaps via piano (and, by extension, keyboard) that performers and listeners can make the most direct and personal contact with Glass’ musical genius. Nicolas Horvath is an unusual artist with an unconventional résumé. He began his music studies at the Académie de Musique Prince Rainier III de Monaco, and at the age 16, he caught the attention of the American conductor Lawrence Foster who helped him to secure a three-year scholarship from the Princess Grace Foundation in order to further his studies. His mentors include a number of distinguished international pianists. Known for his boundary-less musical explorations, Horvath is an enthusiastic promoter of contemporary music. He has commissioned numerous works and collaborated with leading contemporary composers from around the world including Philip Glass.

Conductor Peter Phillips is one of the leading lights in the world of British choral music, best known as the director of the prolific and durable group The Tallis Scholars. He is also a noted scholar, radio and television presenter who has done much to popularize Renaissance music, a music label founder and executive, and an educator. Phillips was born on October 15, 1953, in Southampton, England. He studied at St. John's College, Oxford University, as an organ scholar. By the time he graduated in 1975, he had gained a grounding not only in choral and organ music but in music history, studying with two of the leading British musicologists of the day, Denis Arnold and David Wulstan. In 1973, Phillips assembled a group of singers from Oxford and Cambridge to perform Renaissance music and named them The Tallis Scholars in honor of English Renaissance composer Thomas Tallis. The term "Scholars" was not merely fanciful, for the singers were all choral scholars from the various colleges of the two universities.