Vibraphonist Terry Gibbs' first recording as a leader in eight years is quite exciting. Gibbs, Barry Harris (the foremost exponent in the 1970s and '80s of bebop piano), bassist Sam Jones and drummer Alan Dawson romp through four Gibbs originals, "Body and Soul," "Softly As In a Morning Sunrise," "Manha De Carnaval" and "I'm Getting Sentimental Over You." As is usually true of most Terry Gibbs dates, even the ballads are full of plenty of energy. Gibbs and Harris should have a rematch.
The title Swing Is Here would have been more appropriate for the 1930s instead of 1960 when this album was originally issued, and the big-band era had long since waned. Yet vibraphonist Terry Gibbs kept the home fires burning out in California with this exceptional orchestra of cool jazz giants playing a stack of standards and modern compositions by Bill Holman or Gibbs, and one look back with an Artie Shaw number. What is most interesting about these arrangements is that they are always different in emphasizing the fleet, dampened sound of Gibbs in contrast, apart from, or in tandem with the woodwinds and brass instruments.
Two CD collection containing 48 tracks from the Joe Gibbs' stable of the 1970s, featuring a diversity of performer and musical styles. Includes significant Jamaican hits alongside almost forgotten rarities, with all but 15 recordings making their CD debut, many tracks unavailable on any format since the early '70s with 33 tracks new to CD. As the '70s unfolded, producer Joe Gibbs continued his inexorable rise to the top of the island's musical tree. His willingness to try new talent and styles gave him an edge over many of his contemporaries, as reflected in the willingness of major artists to join his roster of acts.
Drummer Gerry Gibbs has been living a recurring dream with slight variations for the past few years. In December of 2012, he laid down tracks with two of his idols—the legendary Ron Carter and the estimable Kenny Barron—and dubbed their group the Thrasher Dream Trio. The eponymous debut from that band, featuring fifteen tracks recorded at those sessions, was, not surprisingly, a strong and classy affair filled with standards, some originals, and other jazz-friendly fare, such as Stevie Wonder's "Don't You Worry 'Bout A Thing" and Burt Bacharach's "Promises, Promises."…
Melvin Gibbs has not been an easy artist to pigeonhole. The New York City bassist has had plenty of rock credentials (including Harriet Tubman, Eye & I, and the Rollins Band), but he has had his share of impressive jazz associations as well (for example, Sonny Sharrock, Bill Frisell, and Ronald Shannon Jackson). And Gibbs doesn't become any easier to pigeonhole on Ancients Speak, which finds him leading a group that is billed as Melvin Gibbs' Elevated Entity. This 2009 release draws on a long list of influences, ranging from African pop to funk, hip-hop, jazz, and rock.