With a lineup of trumpeter Freddie Hubbard, bassist Doug Watkins, pianist Kenny Drew, and drummer Pete La Roca, McLean laid down a hard blowing session of six tunes based completely on blues motifs. Many critics - as well as jazz fans - hold to the opinion that Bluesnik may be McLean's most accessible session for the label. That said, not all of these tunes are blues numbers strictly speaking. They use blues forms, but don't all fall into the conventional 12-bar structure, and therefore even move hard bop paradigms a bit. The title track opening the set is a prime example of this given that it quotes the theme in 12-bar but moves through a knotty ten-bar sequence before roaring into a furious but fluid cut time structure that allows for a maximum "stretching" of the changes by Drew…
CD box set release from Bob Dylan including his eight original albums from "Bob Dylan (1962)" to "John Wesley Harding (1968)." All albums feature the 2010 remastering from each mono master. *Japan edition exclusively features cardboard sleeve (mini LP) manufactured by Japan (size: 13.5 x 13.5cm). It faithfully repricates the original LP artwork with Obi. Limited copies of 5000.
Anita O'Day is one of the very best jazz vocalists of all time. Her recordings for Norman Granz represent her best recorded work. Here it all is. The sound quality of these CDs is better than any others of the same recordings. I know because I have them all, in shellac, in vinyl, in CD. In addition, the booklet that comes with the set, like the ones in all Mosaic sets, is first class. Well written, nice photos, accurate information. The one shortfall is that Anita was very much a visual artist, the way she worked, led the band, her timing all that was fascinating to watch and of course other than the photos in the booklet, this is an entirely audio experience. Without question this is the best Anita you will ever hear. It is a shame that it is out of print.
The series was revived as "AM Gold" in 1995, with a different cover design (early volumes had an artist's drawing of a pocket transistor radio, with later volumes bearing a "gold record" with the year or era spotlighted emblazoned over the top). The first 20 volumes were re-titled issues of volumes from the former "Super Hits" series with identical track lineups, while new volumes covering the mid- and late-1970s (including individual volumes for each of the years 1974-1979) were included.
The series was revived as "AM Gold" in 1995, with a different cover design (early volumes had an artist's drawing of a pocket transistor radio, with later volumes bearing a "gold record" with the year or era spotlighted emblazoned over the top). The first 20 volumes were re-titled issues of volumes from the former "Super Hits" series with identical track lineups, while new volumes covering the mid- and late-1970s (including individual volumes for each of the years 1974-1979) were included.
In the world of music, there was never anyone quite like ARTHUR 'BIG BOY' CRUDUP. Rooted in the Mississippi Delta, his style was propulsive, melodic, original, and profoundly soulful. If he wasn’t 'The Father of Rock ‘n’ Roll', as one LP proclaimed, there’s no doubt that rock ‘n’ roll owes a debt to his songs, including That’s All Right Mama, My Baby Left Me, Rock Me Mamma, So Glad You’re Mine, and Mean Ol’ Frisco Blues, as much as to his tight, swinging brand of rural blues.