A very nice box set from Capriccio of Prokofiev’s complete incidental music, featuring some of his most well known musical scores. The Radio Symphony Orchestra Berlin play with fire and panache under the baton of conductor, Michail Jurowski.
Despite all the differences in the musical language of the works by the Polish composers Karol Szymanowski and Krzysztof Penderecki included on this recording, they are united by their quality as a lament: Szymanowski's Stabat mater, completed in 1926 and based on a Polish translation rather than the original Latin text of the medieval poem, is still considered one of the most important contributions to 20th-century music.
After Franck, Debussy and Strauss, Mikko Franck and the Philharmonic Orchestra of Radio France here continue their collaboration with Alpha Classics, this time with the spotlight on Igor Stravinsky. The programme begins with two pieces from his so-called ‘neo-classic’ period: his Capriccio and Octet. In the first, in which Stravinsky sets up a dialogue between piano and orchestra, the soloist is one of the great stars of the new generation, the French pianist Nathalia Milstein. Then the mood darkens, with the primitive rhythms and ferocious chordal attack of The Rite of Spring , a work that Mikko Franck has long since wanted to immortalize on CD: a major masterpiece of the 20th century and an essential milestone for every orchestra. Every single player seems to be on fire in this recording, which puts the seal on seven years of collaboration and achievement with its Finnish Music Director.
Guilty of allowing the sacred fire to go out while declaring her love to the general Licinius, the Vestal Virgin Julia is sentenced to be buried alive. But her execution is averted by a divine intervention, which rekindles the altar flame and absolves the victim. The simple plot of Gaspare Spontini’s La Vestale achieved resounding success in 1807 thanks to the highly skilled treatment of the characters’ psychology and the transparency of the political allusions – Licinius is an allegory of Napoleon Bonaparte himself. Yet the work is more than a mere piece of propaganda: it represents one of the links between the tragédie lyrique of the Ancien Régime and the future grand opéra à la française, even anticipating Bellinian bel canto.
The award-winning French pianist Pascal Rogé presents a programme of music by Gershwin and Ravel in a recording with the Vienna Radio Symphony Orchestra under Bertrand de Billy. Rogés affinity for the French style and empathy with jazz make him particularly suited to this repertoire. His recordings of French piano music have received Gramophone, Grand Prix du Disque and Edison awards. In addition to the classical-romantic repertoire of the Viennese and German schools, 20th-century French music is also one of his specialities.
During the 2010s, Sebastian Fagerlund focused on a series of orchestral compositions and concertos, making one single excursion into vocal music: the opera Höstsonaten (Autumn Sonata, 2017). One of his most important works, the opera has influenced his subsequent music, with an increase of long melodic lines alongside his signature rhythmic drive and energy. Dedicated to Nicolas Altstaedt, Fagerlund’s cello concerto Nomade consists of six movements played without a break – a journey by the cellist-wanderer through various landscapes, moods and events depicted by the orchestra.
Second Life' is the first-ever album featuring both acoustic guitar and string orchestra on each track. Acoustic guitarist Adam Palma is accompanied by one of the greatest European orchestras, The Chamber Orchestra of Polish Radio AMADEUS, led by famous conductor, Agnieszka Duczmal. This album is a very personal record, an intimate look at music and life from the perspective of a man who "regained" his life after waking from a long coma. Recovering gave Adam time to reflect, to review his own musical roots, and to view his life deeply from a new perspective. We hear the songs that the soloist grew up listening to: folk melodies, a scout song, a song belonging to the patriotic trend of music, known film themes, Chopin's compositions (never before performed on the guitar), and Adam's own compositions that show what he himself describes as his Polish soul. All the arrangements have been written by Adam Palma and orchestrated by the outstanding Polish film score composer Krzesimir Debski. On this album, classical music and jazz are intertwined. All this against a background of the characteristic harmony of Polish songs, combining the sound of acoustic guitar and string orchestra!