"Father, Son And Holy Ghosts" was the title of Embryo's third LP. A title which wasn't meant at all religiously, but ironically: It was intended as to pull a leg to the so-called "Holy trinity": The comparatively old Mal Waldron figured as "father" (the band's foster-father so to speak), Embryo was thought of as 'son', and with "holy ghosts" they meant their ideas. The great Siegfried Schwab convinces on guitar, veena and tarang, bringing the sounds of India with him. The additional track (20 minutes) with great violin is a soundboard recording taken from the "3rd Essener Pop & Blues Festival" in 1970, which never had been released before. The thick booklet comes with large story, discography, cover and label repros and many photographs. Progressive jazz-rock, mostly instrumental.
New to the catalogue, delightful chamber music by an Italian celebrity of 18th-century London.
A two-fer combining Big Star's first and second albums, #1 Record/Radio City remains a definitive document of early-'70s American power pop and a virtual blueprint for much of the finest alternative rock that came after it. The lone Big Star record to merit the full participation of founder Chris Bell, the brightly produced #1 Record splits the songwriting credits evenly between him and Alex Chilton (in the tradition of Lennon-McCartney)…
From 1975 until 1978, Embryo played at the Vlotho ”Umsonst und draussen” festival every year. Their concert from July 1977 on the sports ground, figuring as festival site, in front of about 26,000 people was recorded professionally by Ulrich Wilkening, operating the soundboard. The recording has been preserved till this day. In fact unreleased, except for the track, ”Getalongwithasong”, which appeared on the double LP ”Umsonst und draußen - Vlotho 77” back then, and later as well on the 4CD box “Aufbrüche”. Here is now the whole Embryo gig of that festival, in the well-known Embryo style: jazz-rock influenced by world music. The sound is excellent, as is to be expected from an expert.
"Bad Heads And Bad Cats", recorded in the autumn of 1975, was released in 1976 as the eighth LP of the Munich band Embryo. It was also their first album on April, their newly founded independent distribution and label. According to drummer Christian Burchard, it is one of Embryo's best LPs. Due to its jazz focus, however, it might be too unwieldy for some listeners. The first of the two bonus tracks was recorded in the Stommeln Dierks studio in 1975, together with the other LP tracks, and couldn't be placed on the album for a lack of space. The second one was recorded at the first Vlotho festival on June 28th, 1975, and was first released on the "Open Air Concert Vlotho-Winterberg" LP. Again all tracks were written by the Embryo members themselves.