All India Radio Embryo Músico

Embryo are a musical collective from Munich who, lead by former R&B and jazz organist Christian Burchard, boast the participation of some 400+ musicians since their beginnings in 1970. Over the years, the band went from classic space rock to jazz fusion, then Burchard soon started travelling the world and recording LPs with African bands and Middle Eastern musicians.
Embryo's second album, "Rache" (1971), is just as good and important in Germany's early prog history. Largely instrumental and constantly surprising , Rache is a very worthy follow-up to their groundbreaking debut. The two extra tracks are not from that era (1991) but do stay in the spirit of the album and do not disturb the newcomer as much as the old hippy that wore his vinyl to transparancy.

Carla Bley - Escalator Over The Hill (1971) {2CD Set, JCOA Records–ECM Records 839 310-2 rel 1998}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 717 Mb | MP3 @320 -> 289 Mb
Full Artwork @ 300 dpi (jpg) -> 31 Mb | 5% repair rar
© 1971, 1998 JCOA Records / ECM Records | JCOA / EOTH 839 310-2
Jazz / Post Bop / Experimental Big Band / Avant-Garde Jazz

This two-hour-plus opus is billed as "a chronotransduction." With music by Carla Bley and lyrics/text are by Paul Haines, the project was recorded over nearly three years (1968-1971) in several locations and with nearly a hundred people involved in one way or another (musicians, singers, speakers). Those involved included a veritable who's who of the jazz world at that time (from Don Cherry to John McLaughlin) along with such unexpected combinations of singers as Linda Ronstadt and Jack Bruce.

Switzerland-born singer Susanne Abbuehl studied with the influential vocalist Jeanne Lee (1939-2000) while attending the Royal Conservatory of the Hague, amidst her wholehearted interest in North Indian classical music. On her first release for ECM, Abbuehl and her fellow European musicians render an often thought-provoking program, augmented by the infamous "ECM aesthetic." However, the thrust of this outing emanates from the vocalist's incorporation of e.e. cummings' poems set to her music, while she appoints lyrics to a few Carla Bley compositions. Abbuehl possesses enticingly affectionate vocal attributes coupled with her soft incantations and atmospheric means of spinning a tale. Clarinetist Christof May serves as a near perfect foil for Abbuehl, as he frequently contrasts the singer's animated lyrical approach and tenderly stated choruses…

Beyond the Music is a special 15-CD edition celebrating contralto Marian Anderson, the first Black singer at the Met. On April 9, 1939, a cold Easter Sunday, a woman in a fur coat walked down the steps of Lincoln Memorial, ready to perform open-air after being refused the largest hall in Washington because she was Black. As contralto Marian Anderson raised her voice to sing the words of My Country, ’Tis of Thee to the 75,000 who gathered to listen to her, an unforgettable historic moment unfolded. The great voice of “The Lady from Philadelphia,” first discovered by her local neighborhood, took her to global fame on the stages of Europe, Asia, and America. She became the first Black woman to perform at the Met in New York, she sang for presidents and kings, was honored with the Presidential Medal of Freedom, and with her dignity, courage, and unwavering belief in equal rights she became an icon in her supportive role for the civil rights movement.