All Steaksauce Mustache

Australia's All India Radio is an Ambient Electronic/Post-Rock project helmed by songwriter/producer Martin Kennedy whose sound straddles the line between '60s psychedelia, '70s Krautrock, and contemporary styles from downtempo to chillgaze. All India Radio first gained attention issuing a series of evocative, often cinematic recordings in the 2000s, including The Inevitable, Permanent Evolutions, and The Silent Surf. All India Radio's music has been used on TV shows like CSI: Miami, One Tree Hill, The Lying Game, and Emmerdale, among others. Kennedy has also played with the Church's singer Steve Kilbey for a series albums, including 2014's sci-fi soundtrack The Rare Earth and 2017's Glow and Fade.

Australia's All India Radio is an Ambient Electronic/Post-Rock project helmed by songwriter/producer Martin Kennedy whose sound straddles the line between '60s psychedelia, '70s Krautrock, and contemporary styles from downtempo to chillgaze. All India Radio first gained attention issuing a series of evocative, often cinematic recordings in the 2000s, including The Inevitable, Permanent Evolutions, and The Silent Surf. All India Radio's music has been used on TV shows like CSI: Miami, One Tree Hill, The Lying Game, and Emmerdale, among others. Kennedy has also played with the Church's singer Steve Kilbey for a series albums, including 2014's sci-fi soundtrack The Rare Earth and 2017's Glow and Fade.

The Wonderful World of Louis Armstrong All Stars are the cream of the crop of current New Orleans musicians, paying tribute to the musician who started it all in the Crescent City. Comprised of new arrangements and recordings of music associated with Louis by a rotating cast of key New Orleans players including guest features from Wynton Marsalis, Common, and more. Features a previously unknown Louis Armstrong and the All Stars track.

Latin-Soul-Rock by the Fania All-Stars is a half-live, half-studio album. In addition to featuring a few of the actual Yankee Stadium recordings, such as the now-infamous Larry Harlow/Heny Alvarez–penned “Congo Bongo,” the record demonstrated how well the Fania All-Stars could play with others in the studio, namely Billy Cobham, Jan Hammer, and Jorge Santana; and at the same time, flex their Latin rock and funk muscles on tunes like the Marty Sheller–arranged “There You Go” and “Viva Tirado,” recently made a hit by El Chicano; and then there was the Bobby Valentín–arranged “Smoke,” which wouldn’t have been out of place spinning on one of Kool Herc’s turntables a few miles down the road from the “House that Ruth Built.” It was fusion, it was funk, it was salsa.

Their second and final album strongly echoes late-period Beatles, particularly Paul McCartney; in fact, it often seems pitched about midway between the 1969 and 1970 Beatles and the beginning of McCartney's solo career. Although it's hard to shake the nagging feeling while listening to this that it's somehow been created by a cover band who got access to discarded early-'70s McCartney demos, it's a convincing and enjoyable emulation of Lennon & McCartney's pop/rock craftsmanship, if more lightweight, less cogent and personal, and lacking in truly world-class tunes. It's on a much higher plateau than Klaatu, for instance. And the Beatles aren't the sole point of reference; guitar riffs on "Follow Me If You Can," for instance, have been altered just enough from Yes' "Roundabout" to avoid plagiarism, while the full guitars and harmonies on many cuts will appeal to many a Badfinger fan.

This truly is an all-star affair. Parliament and Funkadelic alumni like Bootsy Collins, Eddie Hazel, Walter "Junie" Morrison, and Garry Shider, among others, resurface from various stages in the Mothership's time upon earth to contribute to this stylistically sprawling and urbanely funky session; adding to the impressive roll call are high-profile soul and funk guest stars such as Sly "Sylvester Stewart" Stone, Bobby Womack, Fred Wesley, and Maceo Parker. And leading the charge is the master himself, George Clinton.

This is another great album from Jazztone Society Records, featuring Tony Parenti's All-Stars… and what a line-up! Tony, of course, hailing from out of the New Orleans jazz scene, sparkles on clarinet; Henry "Red" Allen, another prominent New Orleans jazz musician, shows why he was considered one of the best on Trumpet; Tyree Glenn, a Texan, worked wih some of the greatest bands, including Cab Calloway, Ellington, and Benny Carter - he growls a fine, mean trombone.
Two members of our rhythm section are familiar to all: Milt Hinton, the busiest, the happiest and the most bass player in the business, and drummer George Wettling, who not only was in on the beginnings of Chicago style jazz, but was also a vital part of the great swing surge as a member of the Tommy Dorsey…

At the 1978 Montreux Jazz Festival, a variety of artists (including keyboardist Warren Bernhardt, tenor-saxophonist Michael Brecker, guitarists Steve Khan and Larry Coryell, trumpeter Randy Brecker and vibraphonist Mike Mainieri) recorded a dozen funky selections which were originally released on two Arista LPs. Michael Brecker in particular is in good form. The results are not essential but offer listeners a time capsule of where R&B-oriented fusion was in 1978.

New metal sensation, ALL FOR METAL, has revealed the details about their first full-length studio album! Legends will be coming out on July 7, 2023 through AFM Records! Under the banner of ALL FOR METAL, the metal enthusiasts Tim "Tetzel" Schmidt (known as the singer of the band Asenblut as well as a strength athlete and fitness influencer) and Antonio Calanna (singer of the hard rock band DeVicious) join forces. Both are united by their love for classic heavy metal sounds and the common vision to bring them to a new generation of music fans. With great, compact, catchy songs and a dedicated, highly professional production team behind them, ALL FOR METAL unleash anthemic, straightforward metal that has international class.

2008 release from the Australian band, their fifth album overall. All India Radio mix a little Portishead with a dash of Boards Of Canada and Cinematic Orchestra to create the breathtaking soundscapes. This album represents the next step in the band's evolution with the addition of singer/co-writer Leona Prue to the lineup. While the music draws on the lush atmospheric qualities of previous albums, Leona's thoroughly entrancing voice adds a new focus, creating a warm and expansive landscape of music, melody and voice. Guests include Graham Lee (from The Triffids and classic KLF albums Chill Out and The White Room).