All Things Arabia

Beat music, British beat, or Merseybeat (after bands from Liverpool and nearby areas beside the River Mersey) is a pop and rock music genre that developed in the United Kingdom in the early 1960s. Beat music is a fusion of rock and roll (mainly Chuck Berry guitar style and the midtempo beat of artists like Buddy Holly), doo-wop, skiffle and R&B. The genre provided many of the bands responsible for the British Invasion of the American pop charts starting in 1964, and provided the model for many important developments in pop and rock music, including the format of the rock group around lead, rhythm and bass guitars with drums. The Beat Of The Pops - excellent selection of beat tracks.

For many their first encounter with classical music will be through its use in films and this collection makes a fantastic entry point to this rich and diverse world. Helpfully all tracks list the films alongside the music, so there will be no doubt as to where the music is familiar from. Classical music has been used to memorable effect in films many times from Ride of the Valkyries in Apocalypse Now to Barber s Adagio in Platoon and from Also sprach Zarathustra in 2001: A Space Odyssey to Beethoven s Ninth in A Clockwork Orange. Occasionally, as in the case of Mozart s Piano Concerto No.21 used in Elvira Madigan, the film title has provided a lasting nickname for the music. All these favourites are included here.

Various Artists - 101 Film Classics (2016) {6CD Box Set Decca 478 3676 rel 2012}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.20 Gb | MP3 @320 -> 1.07 Gb
Full Artwork @ 300 dpi (png) -> 84 Mb | 5% repair rar
© 2012, 2016 Decca Music | 478 3676
Classical / Film Score

For many their first encounter with classical music will be through its use in films and this collection makes a fantastic entry point to this rich and diverse world. Helpfully all tracks list the films alongside the music, so there will be no doubt as to where the music is familiar from. Classical music has been used to memorable effect in films many times from Ride of the Valkyries in Apocalypse Now to Barber s Adagio in Platoon and from Also sprach Zarathustra in 2001: A Space Odyssey to Beethoven s Ninth in A Clockwork Orange. Occasionally, as in the case of Mozart s Piano Concerto No.21 used in Elvira Madigan, the film title has provided a lasting nickname for the music. All these favourites are included here.