Alondra de la Parra & La Orquesta Impossible Imposible (2024)

“The Impossible Symphony “Shows once again how limitless Arturo Márquez’s musical imagination is,” says Alondra de la Parra. “The way he addresses the big questions of our time here is absolutely stunning in its scope and quality. Taking the fifth movement, ‘Magicicada’, as an example, Márquez is inspired by the empathy shown by two species of cicadas that tune into each other’s life cycles to allow both species to thrive. He represents these two cicadas in the score with flute and double bass as they cohabit around each other until their lines meet on D, the only note they have in common. Gender equality is the inspiration of the third movement, reminding us of the additional struggles that society imposes on women in their daily lives. This is represented by two cellos, male and female, playing in canon, but the conditions are more difficult for the woman, since her part is octaved.

“The Impossible Symphony “Shows once again how limitless Arturo Márquez’s musical imagination is,” says Alondra de la Parra. “The way he addresses the big questions of our time here is absolutely stunning in its scope and quality. Taking the fifth movement, ‘Magicicada’, as an example, Márquez is inspired by the empathy shown by two species of cicadas that tune into each other’s life cycles to allow both species to thrive. He represents these two cicadas in the score with flute and double bass as they cohabit around each other until their lines meet on D, the only note they have in common. Gender equality is the inspiration of the third movement, reminding us of the additional struggles that society imposes on women in their daily lives. This is represented by two cellos, male and female, playing in canon, but the conditions are more difficult for the woman, since her part is octaved.

“The Impossible Symphony “Shows once again how limitless Arturo Márquez’s musical imagination is,” says Alondra de la Parra. “The way he addresses the big questions of our time here is absolutely stunning in its scope and quality. Taking the fifth movement, ‘Magicicada’, as an example, Márquez is inspired by the empathy shown by two species of cicadas that tune into each other’s life cycles to allow both species to thrive. He represents these two cicadas in the score with flute and double bass as they cohabit around each other until their lines meet on D, the only note they have in common. Gender equality is the inspiration of the third movement, reminding us of the additional struggles that society imposes on women in their daily lives. This is represented by two cellos, male and female, playing in canon, but the conditions are more difficult for the woman, since her part is octaved.