Alone Janek Schaefer

"Leave Me Alone" is the 1999 single by Kool Keith, who went under the name Dr. Dooom, which was a Dr. Octagon pseudonym. This UK CD5 features four mixes of the song, including an instrumental of the remix (or "Rmx)". This was released by Copacetik Records.

With a release coming only two months after Crusade, The Blues Alone, the first Mayall "solo" album (i.e. without The Bluesbreakers), was John Mayall's third album of 1967.

Alone I Play is the debut live album by Korn vocalist Jonathan Davis's solo effort, released on November 10, 2007 by Invisible Arts. The album was recorded at Malibu's Woodshed Recorder on November 7, 2007, the day before Davis embarked on his first solo tour, the Alone I Play tour. The album features songs originally composed by Davis and Gibbs for the 2002 film Queen of the Damned, as well as classic and uncommonly performed Korn songs. Despite the fact that this is a solo effort, three members of Korn's backup band appear on Alone I Play: keyboardist Zac Baird, guitarist Shane Gibson and percussionist Michael Jochum. The album's title is a pun on Korn's 2002 single "Alone I Break".

Ivan began conventional piano lessons at the age of 10, made his first attempts at improvisation on trumpet a little later, and discovered jazz when he was 17. A masterclass with Michel Herr (then pianist with Toots Thielemans) convinced him to pursue jazz full-time and, in 1988, after six months at Antwerp’s jazz studio, and one year at Rotterdam’s Royal Conservatory (where he studied with Rob Van Kreeveld), he joined the groups of American guitarist John Thomas, Italian trumpet player Gino Lattuca and Belgian trombone player Phil Abraham.

American violinist Jennifer Koh’s new recording, Alone Together is based on her online performance series of the same name, created in response to the coronavirus pandemic and the financial hardship it has placed on so many in the arts community. The New York Times called Alone Together “a marvel for a time of crisis” and the lineup of composers “more inclusive than anything in mainstream classical music.”