Mike Goudreau presents his 19th album : “Alternate Takes - Vol 1”. A collection of unreleased and reworked tracks that were recorded and produced in various studios between 2000 and 2017. Most of these songs were produced mainly for licensing on network TV and film projects for the many TV/Film contacts Mike has made in the USA since 2007 that have earned him hundreds of placements on TV shows such as : CSI Los Angeles, Bloodline, Life In Pieces, Gotham and the feature film Passengers, most recently just to name a few. This recording features a wide variety of Blues stylings: Blues Rock, Country Blues, Swing , Funk, Jazz, Chicago Blues, Boogie Woogie, Reggae and even a Manouche Swing inspired song ! Accompanied by a great lineup of musicians and long time collaborators help make this album a great showcase of the many eclectic musical genres and influences of Goudreau in numerous variations of the Blue note!
In celebration of the late Jerry Garcia's 70th birthday, David Grisman unveils a new collection of nine previously unreleased Garcia/Grisman alternate takes in the new high-definition (24 bit, 96 khz) format. This HD release affords listeners an opportunity to enjoy "Grateful Dawg" music in a sonically superior format with different versions of "The Thrill Is Gone," "Friend of the Devil," "Russian Lullaby," "Arabia" and five others, providing insight into how these two legendary American musicians approached this material. According to producer Grisman, "Our sessions were always informal, and all of these takes are exceptional performances. They are just as vibrant as the original selected masters and perhaps even better!"
A companion to the same label's masterful reissue of John Cale's Paris 1919, The Frozen Borderline remasters the two albums that Nico recorded (with Cale in attendance) for Elektra and Reprise in 1968 and 1970, adding a heap of bonus tracks and the kind of deluxe packaging that fans – accustomed to the cheapness of other Nico repackagings – have previously only dreamed about. Spread across two discs, one per original LP, the two albums sound spectacular. Neither was exactly a production tour de force, their instrumentation dominated, of course, by harmonium, and the handful of flourishes that Cale layered on.