Blasters founders Dave Alvin and Phil Alvin have had a famously combative relationship over the years, but as Dave once said, "We argue sometimes, but we never argue about Big Bill Broonzy." So it's fitting that their love of Big Bill brings them together in the recording studio for their first album together since the Blasters' Hard Line in 1985. Common Ground: Dave Alvin & Phil Alvin Play & Sing the Songs of Big Bill Broonzy features the Alvin Brothers performing a dozen songs from the Broonzy songbook, and while listening to this is a potent reminder of how good Broonzy's songs still sound in the 21st century, it also demonstrates the complementary talents of Dave and Phil Alvin.
It seems that the ex-Ten Years After frontman considers this 2012 release a career recap of sorts, at least judging from its title, which references Lee's first solo album circa 1973. Although Mylon LeFevre, who was co-billed on that disc, is inexplicably M.I.A. (it would have been nice for Lee to mention him in his self-penned liner notes), the organic nature of this one does capture the nearly 40-year-old album's rather loose, homespun structure that was such a departure from Ten Years After's "I'm Going Home" boogie. Still, this is bookended by some of Lee's most overtly TYA-sounding material, with the lead-off title track and especially "Midnight Creeper" capturing his first band's psychedelic blues as effectively as anything he's recorded since…
This is one great live CD and it features songs from Alvin's "Nineteen Ninety Four" cd as well songs from his Ten Years After days such as "Love Like A Man", "I'm Going Home", etc. Songs such as "Keep On Rockin", "I Don't Give A Damn" and the Dave Edmunds 70's hit "I Hear You Knockin", and his version of "Johnny B. Goode" absoluetly smoke. You can hear the audience's approval after every song. The sound quality is superb and really brings out that "Live" audience feel. Great CD for those who appreciate a true showman and fantastic guitarist!
If you like Ten Years After you must have this CD. Alvin is in great form playing with intensity and clarity. The production sound is extremely good for a live album and the guitar is especially rich and crisp.
Grammy winner, Dave Alvin, has been roaming the highways of American music for over a quarter century. During those decades he's busted speakers with roots rock kick-starters, The Blasters, as well as mined the depths of country, folk and blues with his solo projects. A mainstay during much of this journey has been Alvin's electrifying band The Guilty Men. Following the recent death of Dave's best friend and Guilty Men accordionist Chris Gaffney in early 2008, Alvin decided to move in an exciting new musical direction. In October 2008 he stepped onto the stage of the Hardly Strictly Bluegrass Festival in San Francisco with an all-star, all-female group. Since dubbed The Guilty Women, the group consists of Americana scene vets Cindy Cashdollar, Nina Gerber, Laurie Lewis, Sarah Brown, Amy Farris, Christy McWilson and Lisa Pankrantz. Special guests include Marcia Ball and Susie Thompson. The self-titled debut from this unique assemblage of players, led by Alvin, is a spirited collection of thoughtful yet dynamic tunes featuring world-class musicianship worthy of his now legendary pedigree.
The title of the Alvin brothers’ follow-up to their Grammy-nominated 2014 Common Ground reunion project that found them working together for the first time in 30 years is multi-faceted and bittersweet. Clearly they are trying to make up for that lost time after not working together since Dave amicably left the Blasters in 1987. But more than that, these dozen covers are predominantly tunes that were also lost to time. Phil and Dave dig deep to reveal these hidden blues and R&B gems, then polish, rearrange and unleash them with pent up energy, providing the tracks with new leases on life. Dave’s short yet informative liner notes explain the disc is also a tribute to ’50s blues shouter and Alvin brothers friend Big Joe Turner, whose photo adorns the back cover. Four tracks are Turner covers and it’s no secret that much of Phil’s distinctive singing style dates back to that of Big Joe. But from the opening guitar and walking bass lick of Oscar Brown, Jr.’s demonic “Mr. Kicks” to the closing acoustic gospel of “If You See My Savior” (one of the few times both guys sing on the same tune), it’s clear the brothers are having a blast reviving songs they obviously love and have influenced them for decades.
From the first track "Keep On Rockin'" which sounds alot like Ten Years After's "Choo Choo Mama" you know this cd is gonna cook. You've got the hilarious song "Long Legs" which could have been sung by ZZ Top (Its that kind of song), "Boogie All Day" which is very swing oriented, and you even have Alvin doing some cover versions. One being the Dave Edmunds hit "I Hear You Knockin'" which is as good if not better than the original. And Alvin even does a superb job of covering The Beatles tune "I Want You (She's so Heavy)".
This is one great live CD and it features songs from Alvin's "Nineteen Ninety Four" cd as well songs from his Ten Years After days such as "Love Like A Man", "I'm Going Home", etc. Songs such as "Keep On Rockin", "I Don't Give A Damn" and the Dave Edmunds 70's hit "I Hear You Knockin", and his version of "Johnny B. Goode" absoluetly smoke. You can hear the audience's approval after every song. The sound quality is superb and really brings out that "Live" audience feel. Great CD for those who appreciate a true showman and fantastic guitarist!
If you like Ten Years After you must have this CD. Alvin is in great form playing with intensity and clarity. The production sound is extremely good for a live album and the guitar is especially rich and crisp.
The guitar maestro in cracking form on this hard rocking but richly varied album, which was Alvin’s first studio set after the break up of group Ten Years After. After many years on the road, he was in a mood to find freedom and work out with new musical mates, and as a result ‘Pump Iron’ is packed with fine performances. It was made at Alvin’s home studio in 1975 with keyboard player Tim Hinkley.
After the demise of the original Ten Years After in 1974, Alvin Lee was suffering from itchy fingers. The guitar legend wanted a break from his old band but soon needed to get back into action. Alvin decided to stage a special concert at London’s Rainbow Theatre backed by an all-star cast of musicians. They included Mel Collins (sax), Ian Wallace (drums), Tim Hinkley (keyboards), Alan Spenner (bass) and Neil Hubbard (guitar). The show was recorded and ‘In Flight’, reissued on this remastered double CD set, captures that event and it is packed with high energy performances. Alvin Lee recalls that historic night in an exclusive interview for liner notes. Among the 20 original LP tracks tracks is ‘Going Through The Door’ (“My attempt at writing a George Harrison-Dylan-esque type meaningful song!” says Alvin). Another highlight is a fine treatment of the old Elvis Presley hit ‘Mystery Train’…
Although technically he never left, Alvin Lee is back. Recorded in 2003 at original Elvis guitarist Scotty Moore's Nashville home studio, with Moore as the mastermind behind the sessions (although due to ear problems he only plays on two tracks), along with Presley's drummer D.J. Fontana on the skins, this would be a listenable effort regardless of who was singing. With ex-Ten Years After's Alvin Lee playing guitar and taking the lead vocals it's a powerfully compelling disc that approximates many of the Sun label greats. Recorded predominantly live in the studio and sounding it, these songs - mostly originals written expressly for the sessions and an unexpectedly rip-snorting run through of the TYA chestnut "I'm Going Home" - find Lee at his most enthusiastic…