Reissued 1967-69 albums. One of the most innovative acts in the late 60's the Herd, fronted by 'pin up' Peter Frompton, tasted huge success when they signed to Fontana Records in 1967 and this 26 track collection gathers up all of their A and B sides for the label, together with some choice LP cuts and four previously unreleased songs, to make this the most definitive Hard collection available.
Sounds From The Ground delve once again deep into their archives to compile a second ten track compilation of unreleased and rare tracks. Spanning a ten year period from 2004, the collection features a sumptuous choice cut featuring Taz Alexander as well as the fans favourite 'Clover'.
The well respected London duo Nick Woolfson and Elliot Jones return with a striking new album Binary featuring 9 brand new tracks. Binary marks the 25th anniversary of Sounds From The Ground.
London duo Sounds From The Ground come back with their 13th studio album entitled 'Native Soul'. Nick & Elliot have been making music together for over 20 years, helping to shape the panorama of the UK Electronica / Dub / Trip Hop scene with a series of forward thinking albums. This latest work is another statement of their longevity and creativity, mixing what they do best with exciting new influences. 'Native Soul' includes 10 tracks, forged in the studio between Autumn 2016 and Spring 2017.
Blood From the Soul is the vision of legendary musician Shane Embury, longtime member of extreme pioneers Napalm Death. In the early 90's Embury partnered with Lou Koller (Sick Of It All) to create the Blood From The Soul debut "To Spite the Gland That Breeds" (Earache, 1993). The album was an experimental fusion of industrial, metal, hardcore, and punk. And along with Godflesh, Pitch Shifter, Meathook Seed, and Scorn, they helped spawn a new wave of industrial-metal. Fast forward to 2020 and Blood From the Soul has awakened from hyper-sleep. Joining Embury on this new creative journey are now Dirk Verbeuren (Megadeth, Cadaver, Bent Sea, Soilwork, Tronos, Brave The Cold, etc), Jacob Bannon (Converge, Umbra Vitae, Wear Your Wounds), and Jesper Liveröd (Nasum, Burst). "DSM-5" is a twelve song conceptual album from Blood From the Soul. Lyrically the album is written from the perspectives of human beings as well as sentient machines.
Gap Band albums from 1986 and 1988, originally released on the Total Experience Records label. ‘Gap Band 8’ features the UK Top 5 hit single ‘Big Fun’, also a US Top 10 R&B chart hit. This BGO package includes bonus tracks. At the end of the 1990s, The Gap Band stopped recording and Charlie Wilson embarked on a solo career. Digitally remastered.
Recorded in Virginia on Keith’s 38th birthday, the Hampton show was one of the first ever pay-per-view events on television. Now mixed by Bob Clearmountain, the energy in the band’s performance is palpable. The new sound mix by Bob Clearmountain is perfect and the restored video is gorgeous!…
"From The Vault" is a new series of live concerts from The Rolling Stones archive which are getting their first official release. L.A. Forum Live In 1975 is the second title in this series. The Rolling Stones Tour Of The Americas '75 was the band's first tour with new guitarist Ronnie Wood…
Patrick Gowers' score for the Grenada Television series about A. Conan Doyle's consulting detective has become almost as closely linked to Sherlock Holmes in the minds of fans as star Jeremy Brett (1933-1995). But those with no interest in Holmes can also enjoy this recording. Gowers' musical eloquence is richly displayed in these widely diverse, yet cohesive, tracks. Gowers begins the recording with "221B Baker Street," the vivacious theme (performed on Holmes' instrument, the violin, by Kenneth Sillito) that brings to mind Holmes' classic alarm call, "Come, Watson, come! The game is afoot. Not a word!" The cohesiveness of the album comes from Gowers' variations on this theme found throughout the rest of the recording. But the diversity within this cohesiveness is what is remarkable.
This disc presents a selection of works from the Chirk Castle part-books, a fascinating collection of devotional music from the Tudor period that remained hidden in the castle library for three hundred years.
The Chirk manuscripts contain works for unaccompanied voices as well as verse anthems and services, scored for solo voices, chorus and organ. This recording focuses on the unaccompanied items, presenting for the first time a selection of the ‘full’ services and anthems found in the manuscripts, including seven unique to the Chirk collection.