As the first compilation covering Eric Clapton's Reprise/Warner work since 2007's Complete Clapton, 2015's Forever Man is the third collection to focus specifically on these recordings from the '80s, '90s, and 2000s, and it's by far the most extensive, weighing in at two CDs in its basic edition and three in its deluxe. The difference between the two is the addition of a disc of "Blues," a nice addition to the "Studio" and "Live" discs of the collection. These themes make sense on paper but they're a little odd in practice, with the Studio selections hopscotching between eras and the live heavy on new millennial selections. Often, the length highlights how light Forever Man is on hits: "Tears in Heaven," "I've Got a Rock N Roll Heart," "Forever Man," "Change the World," "My Father's Eyes," "Pretending," "Bad Love," "It's in the Way That You Use It," and the unplugged "Layla" are all here, but the sequencing suggests how the '70s hits are missing (or present in new live versions)…
Diana Krall paid tribute to her father on Glad Rag Doll, the 2012 album sourced from his collection of 78-rpm records, and, in a sense, its 2015 successor Wallflower is a companion record of sorts, finding the singer revisiting songs from her childhood. Like many kids of the 20th century, she grew up listening to the radio, which meant she was weaned on the soft rock superhits of the '70s – songs that earned sniffy condescension at the time but nevertheless have turned into modern standards due to their continual presence in pop culture (and arguably were treated that way at the time, seeing cover after cover by middlebrow pop singers).
Original album plus seven bonus tracks (six previously unreleased), two mixed to 5.1 surround, and all to stereo by Steven Wilson. The 40th Anniversary edition of Jethro Tull’s Minstrel In The Gallery. The album has been expanded to include the b-side Summerday Sands, several studio outtakes, and alternate session material recorded for a BBC broadcast. The second disc features a live recording of Jethro Tull performing at the Olympia in Paris on July 5, 1975, a few months prior to the release of Minstrel In The Gallery. During the show, the band played songs from several of its albums, including War Child and Aqualung, as well as an early performance of Minstrel In The Gallery. It was mixed to 5.1 & stereo by by King Crimson guitarist Jakko Jakszyk.
On his debut album, Cabinet of Curiosities, Jacco Gardner showed himself to be the best kind of revivalist. He didn't just unearth the paisley-clad bones of '60s psychedelia, he added a clean perfectly arranged modern feel that made the record sound timeless and up-to-date as well. Like that record, Hypnophobia sounds like a freshly polished psych-pop rarity that was rescued from some musty vault, with loads of Mellotron-colored songs ("Outside Forever") and stately ballads ("All Over") to keep the psych-pop hordes satiated. This time out there's a little more folk-pop in the mix, with tracks like "Brightly" and "Face to Face" having some Brit folk in their brightly strummed guitars and swirling Mellotrons.