American Pop by Ralph Bakshi (1981)

Various Artists - Swamp Pop By The Bayou: Let's Get Together Tonight (2017) {Ace Records CDCHD 1499}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 242 Mb | MP3 @320 -> 158 Mb
Full Artwork @ 300 dpi (png) -> 53 Mb | 5% repair rar
© 2017 Ace Records | CDCHD 1499
Rock ’n’ Roll / Swamp Pop / Oldies / Cajun / Zydeco / Rhythm & Blues

The buckle-polishers and skirt-swirlers are back! Presenting 28 rare goodies from Louisiana and South East Texas. The variant of rock’n’roll that emanated from the Gulf Coast of South Louisiana and South East Texas in the 1950s-60s is as evocative of the area as chicken gumbo, crawfish étouffée and red beans and rice. The youthful Cajuns of the period threw themselves into r’n’r like teenagers across the globe, but had additional influences, not just the hillbilly and blues that created rockabilly, but the ethnic music of their parents and, most telling, the R&B sounds carried over the airwaves from New Orleans.

Flo & Eddie - Rock Steady with Flo & Eddie (1981) {Epiphany Records ‎EP30006-2 rel 1997}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 255 Mb | MP3 @320 -> 97 Mb | Full Artwork | 5% repair rar
© 1981, 1997 Epiphany Records ‎| EP30006-2
Rocksteady / Reggae / Sunshine Pop / Comedy Rock / Power Pop

An album much in need of an explanation, Prince Flo & Jah Edward I began life as a reggae-lite concept, inspired by the duo's discovery of reggae via the rise of Bob Marley. Like many Americans of the day, the pair was pretty clueless, but unlike most, they had connections. Thus, a record deal was inked with a small Florida independent, and arrangements were made for the two to record at Tuff Gong Studios in Kingston under the aegis of co-producer Errol Brown. Flo & Eddie duly turned up at the studio with a list of Jamaican songs and their own numbers ripe for reggae-fying. Brown tossed it in the trash, and gave the pair a crash course in "real" Jamaican music.

Pages was an American pop rock band active during the late 1970s and the early 1980s. Richard Page and Steve George had been working together for years in and around Southern California and had done sessions, backing vocals, written songs, for such as Michael Jackson, Kenny Loggins, Patti LaBelle, Rick Springfield, The Pointer Sisters, Donna Summer etc. Before the well knowed Mr. Mister, they recorded 3 albums for Epic and Capitol Records under the name Pages. The band consisted of Richard Page and Steve George on vocals and keyboards supported by various studio musicians, some of whom from time to time were considered part of the band. Although Pages was highly regarded for its well-crafted pop and jazz-fusion sound, the group did not achieve commercial success, and disbanded after recording three studio albums.

Stevie Nicks' solo career was off to an impressive, if overdue, start with Bella Donna, which left no doubt that she could function quite well without the input of her colleagues in Fleetwood Mac…

Though Chris Rea has been around for nearly 25 years now, it's good to go back to his beginnings as a songwriter and guitarist who carved out a niche for himself with a late-night brand of very British formalist rock & roll that owes as much to J.J. Cale as it does to Dire Straits. But it's the late-night sound that is his trademark and it was in evidence on this, his very first outing. He has help from drummer Dave Mattacks, keyboardist Pete Wingfield, percussionist Ray Cooper, bassist Dave Paton, and a host of other dignitaries.