Amin Al Aiedy Shams

Recorded in 1956, "Tenor Conclave" lives up to its name, bringing together the mighty tenor saxes of John Coltrane, Hank Mobley, Al Cohn and Zoot Sims. All four play on all four tunes, backed by an equally impressive rhythm section of pianist Red Garland, bassist Paul Chambers and drummer Art Taylor. This album would be re-released under Coltrane's name in 1962.

Recorded in 1956, "Tenor Conclave" lives up to its name, bringing together the mighty tenor saxes of John Coltrane, Hank Mobley, Al Cohn and Zoot Sims. All four play on all four tunes, backed by an equally impressive rhythm section of pianist Red Garland, bassist Paul Chambers and drummer Art Taylor. This album would be re-released under Coltrane's name in 1962.

You probably know Al Hirt as the great New Orleans Dixieland trumpet player. He was inducted into The Louisiana Music Hall of Fame in November 2009. He received 21 Grammy nominations during his lifetime, including winning the Grammy award in 1964 for his version of "Java". "Unforgettable" is his 1968's album released for RCA/Victor label.

"They're Playing Our Song" is an album by Al Hirt released by RCA Victor in 1965. The album was produced by Jim Foglesong. It was recorded at Webster Hall in Manhattan, New York City. The album landed on the Billboard Top LPs chart, reaching #39 in 1966. It's a wonderful collection of classics from the American trumpeter, absorbing the listener in realms of nostalgia and memory.

Al Di Meola's "Twentyfour," is a testament to creativity. Conceived during the tumultuous times of the pandemic, what started as a simple acoustic project evolved into something much grander. Al's initial intention to craft a reflective acoustic album on the challenges of the time expanded exponentially as he found himself unable to resist the allure of boundless musical exploration.

Al Jarreau’s final recording, Ellington, serves as a remarkable tribute to Duke Ellington’s timeless music and a fitting end to Jarreau’s legendary career, recorded shortly before his passing in 2017. This live recording with the NDR Bigband captures Jarreau’s unique ability to blend jazz, pop, and R&B, giving fresh interpretations to classics like “I’m Beginning to See the Light,” “I Got It Bad (and That Ain’t Good),” and “Come Sunday.” The album also marks a full-circle moment, reconnecting Jarreau with ACT Music founder Siggi Loch, who first discovered him and launched his career in Europe. With his six Grammy awards spanning multiple genres, Jarreau’s vocal mastery and emotional depth are on full display, making Ellington a must-have for any jazz lover. This album is not only a celebration of Jarreau’s unmatched artistry but also a poignant tribute to the legacy of both Jarreau and Ellington.

A Classical—Jazz Crossover Masterpiece by Alex Sino and Taras Kutsenko "Domus Solis", R. Gliere 12 duos for two violins, Romantic Symphonies edited by Leonard Bernstein, and The House of Dreams are on the ballots of 67th GRAMMY® Awards Nominations.