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OMD's first full album won as much attention for its brilliant die-cut cover - another example of Peter Saville's cutting-edge way around design - as for its music, and its music is wonderful. For all that, this is a young band, working for just about the last time with original percussionist Winston; there's both a variety and ambition present that never overreaches itself. The influences are perfectly clear throughout, but McCluskey and Humphreys would have been the last people to deny how Kraftwerk, Sparks, and other avatars of post-guitar pop touched them. What's undeniably thrilling, though, is how quickly the two synthesized their own style. Consider "Almost," with its dramatic keyboard opening suddenly shifting into a collage of wheezing sound beats and McCluskey's precise bass and heartfelt, lovelorn singing and lyrics…

OMD's first full album won as much attention for its brilliant die-cut cover - another example of Peter Saville's cutting-edge way around design - as for its music, and its music is wonderful. For all that, this is a young band, working for just about the last time with original percussionist Winston; there's both a variety and ambition present that never overreaches itself. The influences are perfectly clear throughout, but McCluskey and Humphreys would have been the last people to deny how Kraftwerk, Sparks, and other avatars of post-guitar pop touched them. What's undeniably thrilling, though, is how quickly the two synthesized their own style. Consider "Almost," with its dramatic keyboard opening suddenly shifting into a collage of wheezing sound beats and McCluskey's precise bass and heartfelt, lovelorn singing and lyrics…

If OMD's debut album showed the band could succeed just as well on full-length efforts as singles, Organisation upped the ante even further, situating the band in the enviable position of at once being creative innovators and radio-friendly pop giants. That was shown as much by the astounding lead track and sole single from the album, "Enola Gay." Not merely a great showcase for new member Holmes, whose live-wire drumming took the core electronic beat as a launching point and easily outdid it, "Enola Gay" is a flat-out pop classic - clever, heartfelt, thrilling, and confident, not to mention catchy and arranged brilliantly. The outrageous use of the atomic bomb scenario - especially striking given the era's nuclear war fears - informs the seemingly giddy song with a cut-to-the-quick fear and melancholy, and the result is captivating…

On their second album since their 2005 reunion, synth pop pioneers Orchestral Maneuvers in the Dark rekindle the spirit of two new wave classics, the first being their own "slept on" masterpiece from 1983, Dazzle Ships, an album that pushed the boundaries sonically. From the blippy, robotic, and almost musique concrète opener "Please Remain Seated" to the geometric sleeve that credits DZ designer Peter Saville with Executive Art Design, English Electric carries on the pop-meets-avant-garde spirit of that fan favorite album. It gives up a love song like "Night Café" that's so glossed and polished that it could be used in a John Hughes film, and then it offers an edgy swerve like "Decimal," where answering machine messages, countdowns, and other disembodied voices provided some kind of silicon chorus that's equally majestic and precise…

If there was a clear high point for OMD in terms of balancing relentless experimentation and seemingly unstoppable mainstream success in the U.K., Architecture & Morality is it. Again combining everything from design and presentation to even the title into an overall artistic effort, this album showed that OMD was arguably the first Liverpool band since the later Beatles to make such a sweeping, all-bases-covered achievement - more so because OMD owed nothing to the Fab Four. All it takes is a consideration of the three smash singles from the album to see the group in full flower. "Souvenir," featuring Paul Humphreys in a quiet but still warm and beautiful lead role, eases in on haunting semi-vocal sighs before settling into its gentle, sparkling melody…