UMC and Island are reissuing Amy Winehouse At The BBC, originally released as a box set in 2012, and now available as a 3LP and 3CD. As the original product was predominantly a DVD release, this will be the first time that the two discs 'A Tribute To Amy Winehouse by Jools Holland' and 'BBC One Sessions Live at Porchester Hall' are available as audio-only and so a high proportion of the tracks will be new to DSPs, plus it is the first time the tracks are available on vinyl. The set features tracks from Later with Jools across the years, notably Amy's first performance on the show in 2003 with 'Stronger Than Me', as well as two performances from the Mercury Prize - Take The Box in 2004 and Love Is A Losing Game in 2007.
Amy is an original motion picture soundtrack to the 2015 film of the same name. It was released by Island Records on 30 October 2015. The soundtrack features music by composer Antonio Pinto that was used in the documentary as well as tracks by singer-songwriter Amy Winehouse, the subject of the film. The soundtrack peaked at number 19 on the UK Album Chart on the week of 2 November.
The twenty-three track album features alternative versions of Winehouse's well-known tracks "Tears Dry On Their Own", "Back To Black" and "Love Is A Losing Game"; recordings of "Stronger Than Me", "What Is It About Men", "We're Still Friends" and "Rehab" from rare live sessions; demos tracks "Some Unholy War" and "Like Smoke"…
Much can be said about the late Amy Winehouse, one of the U.K.'s flagship vocalists during the 2000s. The British press and tabloids seemed to focus on her rowdy behavior, heavy consumption of alcohol, and tragic end, but fans and critics alike embraced her rugged charm, brash sense of humor, and distinctively soulful and jazzy vocals. Her platinum-selling breakthrough album, Frank (2003), elicited comparisons ranging from Billie Holiday and Sarah Vaughan to Macy Gray and Lauryn Hill. Interestingly enough, despite her strong accent and vernacular, one can often hear aspects of each of those singers' vocal repertoires in Winehouse's own voice. Nonetheless, her allure had always been her songwriting – almost always deeply personal but best known for its profanity and brutal candor.
The sophomore effort from Georgia-raised, Britain-based vocalist Kristina Train, 2012's Dark Black is a brooding, atmospheric collection of slow-burn pop songs that put her burnished, sultry croon at the fore. Picking up where 2009's Spilt Milk left off, Dark Black finds Train once again working with British singer/songwriter Ed Harcourt, as well as songwriter/producer Martin Craft. Together, they've come up with an album that builds upon Train's twangy Southern roots layered with a baroque, cinematic aesthetic. Train's vocals are often drenched in an echo-chamber sound, often backed with boomy, resonant percussion, languid piano parts, eerie orchestral sections, shimmering baritone guitar lines, and even some light electronic flourishes. In that sense, the album brings to mind the work of such similarly minded contemporaries as singer/guitarist Richard Hawley and neo-soft rock singer Rumer as much as it does the classic soul-inflected '60s sound of Dusty Springfield.
2005 Compilation album from Jools. It was a mix of instrumental and songs.