An Anthology of Noise & Electronic Music

Slated as the final volume in Sub Rosa's long-running, much-lauded series, An Anthology of Noise & Electronic Music #7 collects 39 additional rare and unreleased pieces, focusing on electronic experiments, tape loop manipulations and works of musique concrète. Although the anthology contains just a handful of known names (Henry Cow, Justin K. Broadrick and John Oswald), the compilation focuses more on the performance and process than the artist.

This anthology aspires to map the heterogenous landscape of Greek Experimental Electronic Music in all its contextual, sociopolitical, geographical and aesthetic disparity. With a single exception, it zeroes in on post-80s music. It comprises works of very different kinds by composers of all sorts of backgrounds that, still, can be thought of, as both "Greeks" and "Experimentalists". Experimental Electronic Music is generally expected to be highly variegated, especially when examined in a breadth of several decades, and with respect to all sorts of artistic, academic, subcultural and other influences. What is not so obvious, however, is that the very notion of Greekness, as well as its contextual and historical offshoots, are highly diversified, too. This anthology is an attempt to map the various kinds of Experimental musics that have been produced by Greeks over the last few decades. More, it is also an attempt to delineate different understandings of what "Greek" or "Experimental" may stand for, by means of zeroing in on the numerous, often overlapping, realities and micro-scenes that are associated with the former.

This anthology of experimental music from Japan showcases the young generation of musicians alongside established names and provides an insight into the current experimental scene, confirming the adventurous character of the Japanese music research.

In ancient Greece, music played a central role in all areas of life, both public and private. We can only imagine how this music sounded. But there are many visual sources that can tell us who was playing which instruments and in which settings, as well as showing us that there were often people dancing together. Listening to "The M. band" by Pina Bounce, one seems to perceive a sonic glimpse into those ancient times, reverberating through the long notes of the trumpet and filtered by the distortions of the electrical equipment.

Bill Nelson - The Practice Of Everyday Life: Celebrating 40 Years Of Recordings (2011) {8CD BoxSet Esoteric COCDBOX 1002}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.51 Gb | MP3 @320 -> 1.34 Gb
Full Artwork @ 600 dpi (png) -> 2.21 Gb | 5% repair rar
© 2011 Esoteric / Cocteau Discs / Cherry Red | COCDBOX 1002
Rock / Avant-Garde / Electronic / Glam Rock / Ambient / Electro Jazz / Guitar

Lavish eight CD box set from the acclaimed guitarist, producer, singer and songwriter, released to coincide with the 40th anniversary of the beginning of Nelson's recording career. This is the most extensive and detailed anthology of Bill's astoundingly creative career to date. Over the past four decades Bill has consistently proved himself to be one of Britain's most original and creative musicians, exploring an astonishing diversity of musical styles, consistently pushing musical boundaries and earning the admiration of legions of fans throughout the world and enlightened critics alike. As a guitarist, Bill ranks as a great and uniquely gifted figure, but this eclectic selection of tracks also highlights his work as a singer/songwriter and instrumental composer. The set begins with his earliest recordings and includes previously unreleased material by Be Bop Deluxe, along with examples from Bill's extensive solo catalogue, exploring a wide range of styles. Esoteric.

The Vanity Records box sets present a comprehensive anthology of releases by legendary Japanese DIY label Vanity, active in the late 70s and early 80s. It was conceived by Studio Warp, in collaboration with Agi Yuzuru and the whole roster of artists involved with Vanity. Eight years in the making, the limited edition project is finally seeing the light of day on October 21st 2019, with distribution duties handled by Kyou Records in Japan and WRWTFWW Records in the rest of the world.