Some Other Time: The Lost Session From the Black Forest is a newly unearthed studio session from the iconic pianist Bill Evans featuring bassist Eddie Gomez and drummer Jack DeJohnette. Recorded on June 20, 1968, nearly 10 years after the legendary Kind of Blue sessions with Miles Davis and a mere five days after the trio's incredible Grammy award-winning performance at the Montreux Jazz Festival, this is truly a landmark discovery for jazz listeners worldwide. Available in deluxe 2-CD and limited edition 2-LP sets, and containing over 90 minutes of music, this is the only studio album in existence of the Bill Evans trio with Gomez and DeJohnette. Some Other Time was recorded by the legendary MPS Records founder and producer Hans Georg Brunner-Schwer along with writer/producer Joachim-Ernst Berendt at the MPS studios in the Black Forest (Villingen, Germany).
Haken have proven over three previous albums and two EPs that musically, they can do pretty much anything they set their minds to. That said, the question was one of where to go after 2014's compelling and adventurous release, The Mountain. With new bassist Conner Green replacing Thomas MacLean, the band rethought its approach to songwriting. Previously, they'd composed around themes and ideas by keyboardist/guitarist Richard Henshall, but these nine cuts were written by all six members.
Affinity contains a themed schematic that deliberately falls short of a full concept: the ubiquitous presence of computers and their evolving relationship with human life…
This exhaustive document of Pink Floyd’s sonic explorations contains some tantalising glimpses of the different paths they could have taken – as well as 15 versions of Careful With That Axe, Eugene…
Savage is the original 80′s Italodisco pop star, worldwide famous singer and platinum record producer of Europop and Eurodisco artists such as Corona, Alexia, Double You and Ice Mc. Composer and writer of various multimillion worldwide hits. His real name is Roberto Zanetti, a man with the passion for music since ever, started just as a hobby until he began studying the piano seriously at the age of fourteen. Shortly afterwards he got together with small music groups, such as “L’inchiesta”, “Fathima e i pronipoti” and “I sangrià”, playing keyboards. His first professional experience came about with the group “Santarosa” with whom he recorded a single, “Souvenir” that went on to sell two hundred thousand copies in Italy.
Relive the flower power era with Ultimate… 60s a 4CD collection containing 80 classic hits from the 60s, includes tracks by Elvis, The Ronnettes, Simon & Garfunkel and many more!
Features a CD + Blu-Ray Audio. For many music fans, this is THE classic XTC album, the one there was most demand for in remixed and 5. 1 surround and one of those for which the tapes, until recently, were thought lost. The album has been mixed for 5. 1 Surround Sound from the original multi-track studio master tapes by Steven Wilson with input from Andy Partridge and is fully approved by XTC. Features a 5. 1 Surround mix in 24-bit / 96-khz mixed from the original multi-track tapes available in LPCM and DTS HD MA. Additional Blu-ray features include: The new stereo album mix in 24-bit / 96-khz LPCM audio. Four additional songs from the album sessions in stereo and 5. 1 mixed by Steven Wilson. The original (uncorrected polarity) stereo album mix hi-res stereo + non-album track. The original (corrected polarity) stereo album mix in hi-res stereo. Instrumental versions (mixed by Steven Wilson) of all new mixes in 24bit/96khz LPCM audio.
Delivering a political album is always risky, with the possibility that it will get locked in its historical era usually a direct consequence. On their 18th album, prog rockers Marillion don't seem to care, and they have nothing to lose and no one to account to but themselves. FEAR is an acronym for "Fuck Everybody and Run." Two of its three lengthy, multi-part suites ("El Dorado" and "The New Kings") are overtly political statements that look at England and the calamitous state of the world not only observationally but experientially. Topical songs have been part of the band's catalog as far back as 1984's "Fugazi," and have shown up as recently as the multi-part "Gaza," from 2012's Sounds That Can't Be Made (the latter was perhaps an impetus for this record)…