Analogue Odie

Junior Wells' Chicago Blues Band with Buddy Guy - Hoodoo Man Blues (1965) [Analogue Productions, Remastered 2009]

Junior Wells' Chicago Blues Band with Buddy Guy - Hoodoo Man Blues (1965)
Mastered by Kevin Gray at AcousTech Mastering, 2009
EAC | FLAC | Tracks (Cue&Log) ~ 234 Mb | Mp3 (CBR320) ~ 98 Mb | Scans included | 00:39:59
Chicago Blues, Harmonica Blues | Label: Analogue Productions, Delmark | # CAPB 034 SA

One of the all-time great urban blues records and the best-seller in the famed Delmark catalog. Hoodoo Man Blues is so full of bravado and snap it'll make you feel tough just listening to it. Not all of the Delmark titles were recorded very well, but this one certainly was. Hoodoo Man Blues, which features Buddy Guy on guitar, is not only Junior Wells' first LP appearance, it's damn near the first LP by a Chicago blues band. Chess and a few other labels had reissued 45s by Muddy Waters, Sonny Boy Williamson, Howlin' Wolf, Jimmy Reed, Elmore James, etc., but virtually no one had tried to capture the Chicago blues sound free of the limitations of juke box/airplay promotion. Hoodoo Man Blues went a long way in the popularization of real Chicago blues and of Junior Wells.
Sarah McLachlan - Solace (1991) [Analogue Productions, Remastered Reissue 2015]

Sarah McLachlan - Solace (1991) APO Remastered Reissue 2015
Mastered by Bernie Grundman
EAC | FLAC | Tracks (Cue&Log) ~ 274 Mb | Mp3 (CBR320) ~ 120 Mb | Scans included
Pop/Rock, Folk-Rock | Label: Analogue Productions | # CAPP 052 SA | 00:48:16

The Analogue Productions/QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits: Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD. Solace, McLachlan's second album, is considerably more mature and musically sophisticated than her 1988 debut, the promising if limited Touch. In fact, this disc is a must-have for McLachlan fans whose first encounter with her work was with her extremely popular later releases, Fumbling Towards Ecstasy and Surfacing.
Ella Fitzgerald & Louis Armstrong - Ella and Louis Again (1957) [Analogue Productions, Remastered 2012]

Ella Fitzgerald & Louis Armstrong - Ella and Louis Again (1957) [Remastered 2012]
EAC | FLAC | Tracks (Cue&Log) ~ 216 Mb | Mp3 (CBR320) ~ 106 Mb | Scans included | 00:44:18
Vocal Jazz, Standards, Vocal Pop | Label: Analogue Productions, Verve | # CVRJ 4017 SA

Mastered by George Marino at Sterling Sound from the original master tapes to vinyl and PCM. There isn't much one can say about an album whose title is Ella And Louis Again. The "again" obviously means they've already done one album together and beyond that, what can you say about two people like Ella and Louis? I doubt that there's anyone today who loves music, who doesn't know Ella Fitzgerald and Louis Armstrong. The backing, with the Oscar Peterson Trio and Louis Bellson substituting for Buddy Rich, remains, as in the first album, quiet, discreet, swinging.

Jeff Beck - Wired (1976) [Analogue Productions, Remastered 2016]  Music

Posted by Designol at Oct. 23, 2024
Jeff Beck - Wired (1976) [Analogue Productions, Remastered 2016]

Jeff Beck - Wired (1976) Remastered 2016
EAC | FLAC | Tracks (Cue&Log) ~ 234 Mb | Mp3 (CBR320) ~ 92 Mb | Scans included | 00:37:19
Guitar Virtuoso, Jazz-Rock, Jazz Fusion | Label: Analogue Productions | # CAPP 081 SA

Remastered by Ryan Smith at Sterling Sound from the original analog tape. Recorded in 1976 with the legendary George Martin as producer (The Beatles), both reprise their magic from Beck's Blow By Blow with an awesome array of jazz-rock-funk fusion, which is often sited as one of this genres finest recordings. This time for the eight incredible tracks, Jeff brings back the great Max Middleton on keys and Richard Bailey on drums, as well as new additions and future mainstay keyboardist Jan Hammer and the power drums of Michael Narada Walden, plus bassist Wilbur Bascomb. With legendary tracks such as Charles Mingus's "Goodbye Pork Pie Hat," and Jan Hammer's "Blue Wind," Wired soon became a radio and retail staple which has truly endured and stood the test of time. Rightfully so, this album continues to inspire and influence a whole new generation of guitar players and music lovers worldwide.
Ella Fitzgerald & Louis Armstrong - Ella and Louis (1956) [Analogue Productions, Remastered 2011]

Ella Fitzgerald & Louis Armstrong - Ella and Louis (1956) [Remastered 2011]
EAC | FLAC | Tracks (Cue&Log) ~ 256 Mb | Mp3 (CBR320) ~ 131 Mb | Scans included
Label: Analogue Productions, Verve | # CVRJ 4003 SA | Time: 00:54:12
Jazz, Vocal Jazz, Standards, Vocal Pop

Mastered by George Marino at Sterling Sound from the original master tapes to vinyl and PCM. The very fact that America's biggest jazz label called one of their albums quite simply Ella and Louis indicates that we are talking about something very special here. And surely enough has been said - "Satchmo" and the grande dame of jazz certainly need no further introduction. In the '50s just the mere mention of their forenames was enough to light up the eyes of jazz fans. A glance at the track list reveals that tranquility rules the day: wild stomps and improvised scats will neither be sought nor missed. Of prime importance to the jazz ballad is a feeling of "letting oneself drift" in the inspiration which gushes forth from the minds of genial American songwriters. This is no contest - for the artists all pursue a common goal with extreme sensitiveness. The background combo, made up of first-class musicians and led by Oscar Peterson, performs with great concentration and almost obtrusive unobtrusiveness.
Steppenwolf - Steppenwolf (1968) [Analogue Productions, Remastered 2013]

Steppenwolf - Steppenwolf (1968) APO Remastered 2013
Mastered by Kevin Gray at Cohearent Audio
EAC | FLAC | Tracks (Cue&Log) ~ 280 Mb | Mp3 (CBR320) ~ 113 Mb | Scans included | 00:47:15
Classic Rock, Hard Rock, Blues Rock | Label: Analogue Productions | # CAPP 50029 SA

Steppenwolf have become synonymous with their huge Harley ridin'-hit, "Born to be Wild", although in reality, their success was far broader, with sales totaling more than 25 million units worldwide. Now their eponymous debut album originally released in 1968 is back and on Hybrid SACD, stunning audiophiles everywhere — courtesy of Analogue Productions! Their history is littered with a succession of band members, substance abuse issues and several break-ups and reformations, but Steppenwolf endures.
Miles Davis Sextet - Someday My Prince Will Come (1961) [Analogue Productions, Remastered 2010]

Miles Davis Sextet - Someday My Prince Will Come (1961)
Mastered by George Marino at Sterling Sound, 2010
XLD | FLAC | Tracks (Cue&Log) ~ 280 Mb | Mp3 (CBR320) ~ 116 Mb | Scans included
Hard Bop, Cool Jazz | Label: Analogue Productions | # CAPJ 8456 SA | 00:42:13

After both John Coltrane and Cannonball Adderley left Miles Davis' quintet, he was caught in the web of seeking suitable replacements. It was a period of trial and error for him that nonetheless yielded some legendary recordings (Sketches of Spain, for one). One of those is Someday My Prince Will Come. The lineup is Davis, pianist Wynton Kelly, bassist Paul Chambers, and alternating drummers Jimmy Cobb and Philly Jo Jones. The saxophonist was Hank Mobley on all but two tracks. John Coltrane returns for the title track and "Teo." The set opens with the title, a lilting waltz that nonetheless gets an original treatment here, despite having been recorded by Dave Brubeck. Kelly is in keen form, playing a bit sprightlier than the tempo would allow, and slips flourishes in the high register inside the melody for an "elfin" feel. Davis waxes light and lyrical with his Harmon mute, playing glissando throughout. Mobley plays a strictly journeyman solo, and then Coltrane blows the pack away with a solo so deep inside the harmony it sounds like it's coming from somewhere else.
Billie Holiday - Body and Soul (1957) [Analogue Productions, Remastered 2011]

Billie Holiday - Body and Soul (1957) Remastered 2011
EAC | FLAC | Tracks (Cue&Log) ~ 193 Mb | Mp3 (CBR320) ~ 99 Mb | Scans included
Label: Analogue Productions/Verve | # CVRJ 8197 SA, B0015629-06
Vocal Jazz, Swing, Blues | Time: 00:40:49

Mastered by George Marino at Sterling Sound from the original master tapes to vinyl and PCM. Small jazz groups brought out the best in Billie Holiday - especially groups as good as the one heard on this classic 1957 recording. Ben Webster, Harry "Sweets" Edison and the other members of this stellar ensemble were not just gifted soloists but sensitive accompanists as well. Lady Day was rarely more ably supported than she was on this program of sturdy standards, including three gems by the Gershwin brothers -and she rarely sounded more luminous. Originally released in 1957.
Lynyrd Skynyrd - Nuthin' Fancy (1975) [Analogue Productions, Remastered 2013]

Lynyrd Skynyrd - Nuthin' Fancy (1975)
Mastered by Kevin Gray at Cohearent Audio, 2013
EAC | FLAC | Tracks (Cue&Log) ~ 224 Mb | Mp3 (CBR320) ~ 93 Mb | Scans included
Label: Analogue Productions | # CAPP 2137 SA | Time: 00:37:28
Southern Rock, Blues Rock, Classic Rock, Hard Rock, Boogie Rock

Nuthin' Fancy is the third studio album by the Southern rock band Lynyrd Skynyrd, released in 1975. It was their first to reach the top 10, peaking at number 9 on the U.S. album chart. It was certified gold on June 27, 1975 and platinum on July 21, 1987 by the RIAA. This was the band's first record with new drummer Artimus Pyle. In late May, guitarist Ed King left the band in the middle of their "Torture Tour".
Jackie McLean - Lights Out! (1956) [Analogue Productions' Prestige Mono Series, Remastered 2013]

Jackie McLean - Lights Out! (1956) [Remastered 2013]
EAC | FLAC | Tracks (Cue&Log) ~ 243 Mb | Mp3 (CBR320) ~ 125 Mb | Scans included
Hard Bop, Saxophone Jazz | Label: Analogue Productions | # CPRJ 7035 SA | 00:46:10

A perpetual favorite among Jackie McLean’s earlier recordings, Lights Out finds the hard-swinging young alto saxophonist in 1956 still very much under the wing of Charlie Parker, who had died less than a year earlier. Yet McLean was beginning to find ways out of the seductive artistic security of Bird imitations. For one thing, he was experimenting with tonal variations. For another, he was working with Charles Mingus, and Mingus’s genius as a leader included forcing musicians to look deeply into their most cherished stylistic practices. The McLean of Lights Out is the hot young bebopper with a slightly acid edge to his sound and a solid blues foundation under everything he played. McLean and trumpeter Donald Byrd occasionally engage in the "pecking" technique of mutual improvisation they developed as members of the George Wallington Quintet. Hybrid Mono SACD for sale individually and as part of Analogue Productions’ Prestige Mono Series. Mini "old style" gatefold jacket packaging.