Stanley Grill’s REMEMBER is presented by Navona Records. Featuring viola and piano, these inventive works aptly demonstrate Grill’s unique style; rooted in his passion for medieval and Renaissance music, his compositions are as pioneering and contemporary as they are fundamentally traditional. Grill’s work focuses particularly on melody, modal harmonies, and contrapuntal, interweaving lines. The result is a musical experience greater than the sum of the instruments involved. Two themes that permeate much of his work can be found throughout this album as well: a desire to translate elements of the physical world into sound, and a dedication to cultivating and promoting peace through music. REMEMBER offers listeners a fresh and memorable collection of works for viola and piano.
When the shared reservoir of our humanity reaches its newest low point, can looking back aid us? Can remembrance help us manifest the desire to go on? Looking is the first thing I remember. I wouldn’t say I was studying it, but I held it in my hands and turned it over and over and over. I’m sure I held it when I was outside sitting in the cracked back patio, and though there aren’t any pictures, I probably had it at my 5th birthday, all smiles at the Darth Vader cake my mother made for me. I carried it until it was smoothed over, made smaller and smaller as it passed between my hands.
David Crosby's debut solo album was the second release in a trilogy of albums (the others being Paul Kantner's Blows Against the Empire and Mickey Hart's Rolling Thunder) involving the indefinite aggregation of Bay Area friends and musical peers that informally christened itself the Planet Earth Rock and Roll Orchestra. Everyone from the members of the Grateful Dead and Jefferson Airplane to Crosby's mates in CSNY, Neil Young and Graham Nash, dropped by the studio to make significant contributions to the proceedings. (Jerry Garcia, Phil Lesh, and Bill Kreutzman, primarily, act as the ad hoc studio band, with other notables adding bits of flavor to other individual tracks.)
David Crosby's debut solo album was the second release in a trilogy of albums (the others being Paul Kantner's Blows Against the Empire and Mickey Hart's Rolling Thunder) involving the indefinite aggregation of Bay Area friends and musical peers that informally christened itself the Planet Earth Rock and Roll Orchestra. Everyone from the members of the Grateful Dead and Jefferson Airplane to Crosby's mates in CSNY, Neil Young and Graham Nash, dropped by the studio to make significant contributions to the proceedings. (Jerry Garcia, Phil Lesh, and Bill Kreutzman, primarily, act as the ad hoc studio band, with other notables adding bits of flavor to other individual tracks.)
David Crosby's debut solo album was the second release in a trilogy of albums (the others being Paul Kantner's Blows Against the Empire and Mickey Hart's Rolling Thunder) involving the indefinite aggregation of Bay Area friends and musical peers that informally christened itself the Planet Earth Rock and Roll Orchestra. Everyone from the members of the Grateful Dead and Jefferson Airplane to Crosby's mates in CSNY, Neil Young and Graham Nash, dropped by the studio to make significant contributions to the proceedings. (Jerry Garcia, Phil Lesh, and Bill Kreutzman, primarily, act as the ad hoc studio band, with other notables adding bits of flavor to other individual tracks.)