Andrea Sadia Sunday Stroll

Dr. Cynthia Felton made quite the splash with her self-produced debut, Afro Blue: The Music of Oscar Brown, Jr. (2009). In the spirit of well-assembled theme recordings like Karrin Allyson's Ballads: Remembering John Coltrane (Concord, 2001) and Todd Bishop's Pop Art 4 disc, 69 Annee Erotique, Afro Blue is a solid look at a master's craft of writing lyrics for jazz pieces. Felton treads more familiar territory on Come Sunday: The Music of Duke Ellington, undertaking the project with an embarrassment of supporting artist riches that features Felton in several different format contexts, from bass/voice duet to little big band. In all formats, Felton swings effortlessly, and she comes out swinging on the opening "It Don't Mean a Thing if it Ain't Got That Swing," singing wide-open with no governor…

“For this recording we have created an imaginary ‘battle of the bows’ between Vivaldi, Veracini, Tartini and Locatelli, the ‘four musketeers’ of the violin in Venice during the first half of the 18th century”, said Chouchane Siranossian and Andrea Marcon. “Corelli died in 1713 and passed the torch on to his heirs… Venice then became the setting for merciless rivalries. The violin became an instrument of confrontation, an ideal weapon for demonstrating virtuosity and technical prowess. The player’s ultimate goal was to astonish the listener and to demonstrate his own bravura, to the point that certain narcissistic tendencies of the player were often exaggerated.”

“For this recording we have created an imaginary ‘battle of the bows’ between Vivaldi, Veracini, Tartini and Locatelli, the ‘four musketeers’ of the violin in Venice during the first half of the 18th century”, said Chouchane Siranossian and Andrea Marcon. “Corelli died in 1713 and passed the torch on to his heirs… Venice then became the setting for merciless rivalries. The violin became an instrument of confrontation, an ideal weapon for demonstrating virtuosity and technical prowess. The player’s ultimate goal was to astonish the listener and to demonstrate his own bravura, to the point that certain narcissistic tendencies of the player were often exaggerated.”