Ani Choving Drolma

The transcendent new album from Ani Di Franco, Revolutionary Love marks the latest proof of one of her most powerful gifts as an artist: a rare ability to give voice to our deepest frustrations and tensions, on both a personal and political level.

Flowers we are …” brings together piano works by György Kurtág (born 1926) and György Ligeti (1923-2006), two of the most important and internationally successful composers of the post-war era who have one thing in common – Hungarian roots. The recording shows that the four-hand piano character piece also has musical significance and genre justification in contemporary music.

DiFranco spruces up her sparse folk arrangements with the odd brass band, accordion, and even an electric guitar or two, but the meat of these songs is still her distinctively funky acoustic guitar style (she borrowed her rhythmic plucking technique from R&B, but unplugged, it bears no resemblance to its genre of origin). Meanwhile, DiFranco's spunky activist lyrics are tempered here by a bigger dose of vulnerability than in previous albums, which allows for a unique mix of anger, humor, and poignancy. The best songs this time around are not bitter, but quietly reflective ("You Had Time," "Buildings and Bridges," "If He Tries Anything").

Ani DiFranco doesn't really expand her sonic palette on Dilate, but she doesn't need to. DiFranco racked up a dedicated cult audience on the basis of her conviction. There's not much melody on any of her songs, but there are messages and, thankfully, a fair share of humor. Dilate suffers from a bit too much repetition, but when DiFranco lands on a good hook – such as "Superhero" or "Done Wrong" – the results suggest that she could reach a wider audience.

Ani DiFranco is celebrating the 25th Anniversary of her seminal first live album 'Living In Clip' with offering a 25th anniversary, remastered edition of the landmark double album on July 29 (vinyl + cd + digital formats). This marks the first time the breakthrough recording will be available on vinyl (3 LPs 180g red smoke), which includes a new album cover and never previously seen photos of Ani, her band and crew from that era. Twenty-five years later the album is recognized as a point of entry that radically expanded DiFranco’s audience, and a historically important testament to the relationship between Ani as a live performer and the devoted community she created with her fans.