Anna Noferini, Luigi Cozzolino Georges Ivanovitch Gurdjieff. Hymns And Songs, Musique Pour Les Mouvements(2024)

Fino al 1924, G.I. Gurdjieff aveva insegnato alla maniera orientale, comunicando le sue idee a un piccolo gruppo di allievi, sempre e solo in modo diretto sia nella teoria che nella pratica, senza mai permetter loro di trascrivere le indicazioni ricevute. …

Une méthode de réapprentissage du piano, avec des échauffements, des exercices et des extraits de répertoires tels que Peer Gynt d'Edvard Grieg, les valses de Johann Strauss ou encore Les quatre saisons d'Antonio Vivaldi. …

Un guide d'initiation à la musique classique pour en faciliter l'accès aux profanes et enrichir sa culture musicale. Il propose, au travers de cent chefs-d'oeuvre, de découvrir les coulisses de leur composition, les interprétations célèbres, des indications pour apprendre à les écouter et des informations sur leur signification et leur importance culturelle. Avec le portrait de dix compositrices. …

Un guide pratique pour apprendre à composer les paroles et la mélodie d'une chanson, avec de nombreux exercices, accessible autant aux néophytes qu'aux initiés. …

Vous cherchez des moyens doux pour améliorer votre souplesse?
Avez-vous besoin de techniques simples pour réduire le stress?
Voulez-vous renforcer votre corps tout en douceur?
Si vous avez répondu oui, continuez à lire! …

Marie Jaëll - Musique symphonique & Musique pour piano - Portraits Volume 3 (2016) {3CD Palazetto Bru Zane-Ediciones Singular}
FLAC (tracks) - 44/16 bits - Digital Download (qobuz) -> 645 Mb | MP3 @320 -> 401 Mb | Artwork (pdf+jpg) | 5% repair rar
© 2016 Palazetto Bru Zane / Ediciones Singulares | ES 1022 / 9788460830177
Classical / Romantic / Symphony / Concerto / Piano

Marie Jaëll probably represents the most authoritative and accomplished expression of the nineteenth-century woman musician. In spite of her coming from the provinces and despite the heavy social restrictions imposed on artists of her gender, she nonetheless succeeded in being recognized as a virtuoso, a composer and as a teacher. Support from her husband – the Austrian pianist Alfred Jaëll – greatly contributed to the positive reception of her initial works for the piano, but it was by herself, armed with her talent and her resolve in the latter part of her life, that she faced up to the Parisian hurly-burly in which she proved herself to be one of its distinctive figures. While her learning method is still taught in various different countries, little interest thus far has been shown in her music, which in the greater part is held in the Bibliothèque Nationale et Universitaire in Strasbourg. Formidable and ambitious symphonic works are revealed on this book-cd as well as a significant facet of her compositions for the piano.