Anne Bertin Hugault, Marianne Croux Rita Strohl Douze Chants de Bilitis

Capilla Flamenca, Psallentes, Westvleteren - Triduum Paschale: Easter In Polyphony and Abbey Chants (2010) {Eufoda 1379}
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© 2010 Eufoda | 1379
Classical / Renaissance / Polyphony / Early Music / Gregorian Chant

The celebration of the Easter Mystery has traditionally been considered to be the core of Christian liturgy. The Triduum Paschale, also known as the Holy Triduum or the Easter Triduum, begins on Holy Thursday and ends on Easter. Pascha is originally a Hebrew word which means transitus, or 'passage': Jesus' passage from death to life, from this world to his heavenly Father (Joh 13:1). The chants which have interpreted the prayers of the Cistercian Order for centuries may best express what an abbey community is about: the deep and unfathomable connection with earth, with man and with God.

Croyez-vous pouvoir contrôler les événements, les choses et les autres ? Ne recherchez-vous pas toujours plus de pouvoir pour les contrôler ? L’obtenez-vous réellement à chaque fois? La croyance en sa puissance personnelle génère une sorte de dépendance au pouvoir. …

Fully established as a dramatic, innovative singer with astonishing appeal and energy thanks to her string of excellent '80s releases, Faithfull concluded her renaissance decade with Blazing Away, an excellent live album recorded in New York's St. Anne's Cathedral…

Le vétérinaire français Franck Lamière se rend en Namibie afin de lutter contre le trafic de cornes de rhinocéros qui y prolifère. Quand il disparaît sans laisser de traces, sa fille Mélanie se lance à sa recherche, aidée par son meilleur ami Léo et le guide Fernando. …

These days, Aarre Merikanto (1893–1958) is one of the best-known early 20th century modernists in Finnish classical music. In his early years, he composed in the National Romantic style, but by the time he was 23, he had developed a much more progressive style. By the beginning of the 1920s, he was writing in a modern, free-tonal musical language with a strong focus on timbral colour. Merikanto himself considered his “radical” style to be innate, but we know he was in fact inspired by Debussy and Scriabin, and especially Sibelius’ Fourth Symphony. After moving from the countryside back to Helsinki in 1928, Merikanto started actively networking with other Finnish composers, which also had an effect on his music.