Anne Bertin Hugault, Marianne Croux Rita Strohl Douze Chants de Bilitis

Cellist Edgar Moreau and pianist David Kadouch have some pleasurable surprises in store with this programme of French sonatas from the late 19th and 20th centuries. The composers are Franck, Poulenc and two little-known figures, Rita Strohl and Fernand de La Tombelle. Forming an adjunct to the programme is the world premiere recording of a piece by Poulenc, titled Souvenirs and written in 1944. As the French magazine Télérama has written: „Both known as outstanding soloists, David Kadouch and Edgar Moreau also form a close-knit, well-balanced chamber duo, playing with passion and commitment.“

Cellist Edgar Moreau and pianist David Kadouch have some pleasurable surprises in store with this programme of French sonatas from the late 19th and 20th centuries. The composers are Franck, Poulenc and two little-known figures, Rita Strohl and Fernand de La Tombelle. Forming an adjunct to the programme is the world premiere recording of a piece by Poulenc, titled Souvenirs and written in 1944. As the French magazine Télérama has written: „Both known as outstanding soloists, David Kadouch and Edgar Moreau also form a close-knit, well-balanced chamber duo, playing with passion and commitment.“

A sensuous recital of rare repertoire by an anniversary composer for the unusual combination of female voice and two harps.

In 1900, three years after the publication of his three songs, La Flûte de Pan, La Chevelure and Le Tombeau des Naïades, Claude Debussy wrote some little known incidental music to accompany the Chansons de Bilitis poems by Pierre Louys.