Annwyn Avalon

Welcome to the world of the Celtic feminine divine! Within these pages, you will meet great goddesses such as Brigid, the Morrigan, Sulis, Rhiannon, Rosmerta, and Elen of the Ways, as well as faery women like Melusine and Morgan Le Fae. Celtic Goddess Grimoire introduces you to goddesses of magic like Cerridwen, Arianrhod, and Blodeuwedd, as well as goddesses of justice, healing, and sovereignty. This book also explores the Ladies of the Lake, including the original Lake Lady from The Mabinogi. It shines a spotlight on the most prominent Celtic female divinities but also includes a section devoted to lesser-known goddesses of the Celtic world, such as the mysterious Nehalennia, who was nearly lost before her shrine was recovered from the depths of the North Sea.

An accessible in-depth guide to Celtic water lore, including spells, rituals, water spirits, and merfolkLet Annwyn Avalon, a practicing water witch herself, take you into the world of water magic. The water magic and lore in this book focuses on the Celtic tradition, but draws on other water magic traditions as well, and features rainwater, as well as lakes, rivers, oceans, canals, swamps, and other watery locations, together with the folk and magical customs that have been and are still practiced at these places.

Aradia or The Gospel of the Witches, as it was collected by Charles Godfrey Leland, brings us a folkloric mixture of myth, poetry, and magical instructions. Wrapped within those pages is the truth that Witchcraft is a revolutionary practice – a means for fighting against social injustices, shifting the balance of power, freeing people from oppression, breaking down political and financial systems that work against the people and nature itself. Witchcraft has long been the tool of the disenfranchised and the marginal. Calling oneself a Witch is in itself an act of defiance, a statement of going against the grain and the status quo of society.

Aradia or The Gospel of the Witches, as it was collected by Charles Godfrey Leland, brings us a folkloric mixture of myth, poetry, and magical instructions. Wrapped within those pages is the truth that Witchcraft is a revolutionary practice – a means for fighting against social injustices, shifting the balance of power, freeing people from oppression, breaking down political and financial systems that work against the people and nature itself. Witchcraft has long been the tool of the disenfranchised and the marginal. Calling oneself a Witch is in itself an act of defiance, a statement of going against the grain and the status quo of society.