Anouar Brahem Discography [12 Albums] (1991 2009) (lossless & Mp3)

Innovative Tunisian oud virtuoso Anouar Brahem presents this highly-acclaimed album of typically Middle Eastern music, recorded in 1999 with a trio that had been his first priority for several years. The improvisational exchanges between Brahem, clarinettist Barbaros Erköse and percussionist Lassad Hosni are exceptionally fluid and the atmospheres they create here are by turns mysterious, hypnotic and dramatic.

Madar is an album by Norwegian saxophonist Jan Garbarek featuring Tunisian oud player Anouar Brahem and Pakistani tabla master Ustad Shaukat Hussain recorded in 1992 and released on the ECM label in 1994. On this CD Jan Garbarek (doubling on tenor and soprano) is accompanied only by Anouar Brahem on oud and Ustad Shaukat Hussain's tabla. Garbarek shows off his distinctive tones and lyricism on a set of gradually developing group originals, two of which are based on traditional Norwegian melodies. It may take some time for listeners to get into this music and notice the fire beneath the ice but the close communication between the players is apparent from the start.

Emma Myldenberger have a unique sound, essentially acoustic, mixing various elements from authentic pagan folk to medieval and psych-progressive rock. Their first album was released in 1978. Musical themes are closed to ancient music, ritualistic in nature. The instrumentation essentially refers to a nice orchestration made of guitars, oboe, ocarina, mandolin, crumhorn, hand percussions, with addition of a fragile female voice and an almost eastern-like exoticism. Their second album called "Tour de trance" is considered to be one of the most achieved psych-folk listenings. A very ambitious effort made of high quality kraut-folk improvisations. After two releases the band formed the Radio Noisz Ensemble (Third Ear Band, Between similar musical experiences). Garden of Delight reissues contain some precious informations about the band short history. An important document.

Emma Myldenberger have a unique sound, essentially acoustic, mixing various elements from authentic pagan folk to medieval and psych-progressive rock. Their first album was released in 1978. Musical themes are closed to ancient music, ritualistic in nature. The instrumentation essentially refers to a nice orchestration made of guitars, oboe, ocarina, mandolin, crumhorn, hand percussions, with addition of a fragile female voice and an almost eastern-like exoticism. Their second album called "Tour de trance" is considered to be one of the most achieved psych-folk listenings. A very ambitious effort made of high quality kraut-folk improvisations. After two releases the band formed the Radio Noisz Ensemble (Third Ear Band, Between similar musical experiences). Garden of Delight reissues contain some precious informations about the band short history. An important document.

Virus, from the Bielefeld area in Westphalia, were the best and most famous local progressive group there in the early seventies. In 1970, they won the well-known competition in the Recklinghausen Vestlandhalle - still under their old name of Man’s World. The first prize: Recordings for their first own LP, under the direction of sound magician Conny Plank. That LP, “Revelation”, was released in 1971 and is partly reminiscent of the early Pink Floyd, e.g. in the final part of “Endless game”. On the CD edition on Garden of Delights, the two songs of the first Virus 7” single have been added as bonus tracks. The second and final Virus LP, 'Thoughts', was recorded with a different line-up, again under the direction of Conny Plank, and it was released on the legendary Pilz label at the end of 1971…

Beautiful collection of 13 tracks by Tunisian composer Anouar Brahem. The album spotlights Brahem's solo oud pieces, which range from the meditative ("Sadir") to the propulsive ("Ronda"). This solo work is nicely augmented by stellar contributions from violinist Bechir Selmi and percussionist Lassad Hosni; Selmi is featured on the transcendent "Barzakh," while Hosni figures prominently on "Souga" and "Bou Naouara." The three musicians come together for the joyous dance number "Parfum de Gitane." Throughout Barzakh, Brahem and the others forge an appealing mix of Middle Eastern sonorities and jazz phrasing, an intimate sound perfectly suited to the clean and spacious ECM recording style. This is a great title for fans of both international music and jazz.

Delightful new project, assembled by Tunisian oud master Brahem with producer Manfred Eicher. Combination of bass clarinet with oud suggests a link to Anouar’s “Thimar” trio, but this East/West line-up often feels closer to the more traditionally-inclined sounds of “Barzakh” or “Conte de l’Incroyable Amour”. Klaus Gesing, from Norma Winstone’s Trio, and Björn Meyer, from Nik Bärtsch’s Ronin, are both players with an affinity for musical sources beyond jazz, and they interact persuasively inside Brahem’s music. A dance of dark, warm sounds, urged onward by the darbouka and frame drum of Lebanaese percussionist Khaled Yassine.

Delightful new project, assembled by Tunisian oud master Brahem with producer Manfred Eicher. Combination of bass clarinet with oud suggests a link to Anouar’s “Thimar” trio, but this East/West line-up often feels closer to the more traditionally-inclined sounds of “Barzakh” or “Conte de l’Incroyable Amour”. Klaus Gesing, from Norma Winstone’s Trio, and Björn Meyer, from Nik Bärtsch’s Ronin, are both players with an affinity for musical sources beyond jazz, and they interact persuasively inside Brahem’s music. A dance of dark, warm sounds, urged onward by the darbouka and frame drum of Lebanaese percussionist Khaled Yassine.