Anton Dolgov

Anton Chekurov - Extraordinary (2016)  Music

Posted by mark70 at Aug. 25, 2016
Anton Chekurov - Extraordinary (2016)

Anton Chekurov - Extraordinary (2016)
MP3 320 kbps CBR | 57:47 min | 134 MB
Genre: Jazz | Label: Igor Butman Records

Igor Butman Records presents a brand new release Extraordinary, a debut by a young Moscow alto saxophone player Anton Chekurov. Despite Anton’s young age, the album glows with its musical maturity and emotional variety. Of course, last but not least, because of experienced musicians – pianist Alexei Podymkin and bassist Yuri Galkin – are taking part in the recording.

Anton Karas plays Zither with Wiener Unterhaltungsorchestra (1996)  Music

Posted by Speedyclick at Oct. 25, 2010
Anton Karas plays Zither with Wiener Unterhaltungsorchestra (1996)

Anton Karas plays Zither with Wiener Unterhaltungsorchestra (1996)
EAC Rip | FLAC (image & cue & log) & mp3 @ 320 kbps | tracks: 21 | Scans | 1:05:57 | ~ 368 Mb & 159 Mb
Label: Tuxedo Music | 5% recovery record | Instrumental, zither, operetta, orchestra

Anton Karas was a famous Viennese zither player mostly known from the soundtrack of the "Third Man" movie by Carol Reed. The zither is a string instrument commonly found in Slovenia, Austria, Hungary and less in other countries. In the hands of a virtuoso like Karas, it produces an incredibly rich, sweet, romantic sound and creates unique feelings.
Eugen Jochum - Anton Bruckner: Geistliche Chorwerke (Sacred Work for Chorus) (1987) (4CD Box Set) **[RE-UP]**

Eugen Jochum - Anton Bruckner: Geistliche Chorwerke (Sacred Work for Chorus) (1987) (4CD Box Set)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 958 mb | MP3 CBR 320kbps | RAR | 546 mb
Classical, Romantic | Label: Deutsche Grammophon / 423 127-2

These three masses are early works but Bruckner had already gestated into Bruckner by the time of their composition. His symphonies regularly quote motifs from these works; they resonated in his mind down the years (and in fact, the F Minor Mass was written as a palliative gesture when the poor bugger was madder than usual).
Eugen Jochum - Anton Bruckner: Geistliche Chorwerke (Sacred Work for Chorus) (1987) (4CD Box Set)

Eugen Jochum - Anton Bruckner: Geistliche Chorwerke (Sacred Work for Chorus) (1987) (4CD Box Set)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 958 mb | MP3 CBR 320kbps | RAR | 546 mb
Classical, Romantic | Label: Deutsche Grammophon / 423 127-2

These three masses are early works but Bruckner had already gestated into Bruckner by the time of their composition. His symphonies regularly quote motifs from these works; they resonated in his mind down the years (and in fact, the F Minor Mass was written as a palliative gesture when the poor bugger was madder than usual).
Engegard Quartet - Edvard Grieg, Jean Sibelius, Olav Anton Thommessen: String Quartets (2015)

Engegård Quartet - Edvard Grieg, Jean Sibelius, Olav Anton Thommessen (2015)
EAC | FLAC | Image (Cue&Log) ~ 327 Mb | Mp3 (CBR320) ~ 172 Mb | Scans included
Genre: Classical | Label: BIS | # BIS-SACD-2101 | Time: 01:12:23

A string quartet was among the very first works that Edvard Grieg presented after completing his studies in 1861, but the Quartet in G minor, Op. 27, was the only such work to be published in his lifetime. In 1878, while composing it, Grieg wrote that ‘it aims at breadth, to soar, and, above all, at vigorous sound’, and the amplitude of the sound is indeed striking: the generous use of double-stops creates an almost orchestral effect, unusual for the genre. This caused some reviewers to criticize the quartet as being unidiomatic, while others, including Liszt, greeted it with enthusiasm. Some thirty years later, when Jean Sibelius composed his D minor quartet Op. 56, he too had previous experience of writing for the medium, but Op. 56 is the only quartet among his mature works. The often used 'nickname' Voces intimae is often taken to refer to the intimate interchange between the four voices in a quartet, but is probably a more specific allusion to a brief passage in the third movement: Sibelius wrote the remark into a score some time after the work had been published.
Anton Eger - Æ (feat. Robin Mullarkey, Matt Calvert, Dan Nicholls & Petter Eldh) (2019)

Anton Eger - Æ (feat. Robin Mullarkey, Matt Calvert, Dan Nicholls & Petter Eldh) (2019)
EAC Rip | FLAC (tracks+log+.cue) - 273 Mb | MP3 CBR 320 kbps - 98 Mb | 00:42:48
Contemporary Jazz, Nu Jazz, Modern Creative | Label: Edition Records

Full of high-energy drumming, complexity and unpredictability with ‘Æ’ Anton has pulled out all the stops, drawing on an eclectic genre-defying mix of electronica, hardcore contemporary beats and retro musical guilty pleasures.
Christian Thielemann, Wiener Philharmoniker, Anton Bruckner - Bruckner 8 - Christian Thielemann & Wiener Philharmoniker (2019)

Christian Thielemann, Wiener Philharmoniker, Anton Bruckner - Bruckner 8 - Christian Thielemann & Wiener Philharmoniker (2019)
Classical | 01:25:54 | WEB FLAC (tracks) | 377 MB
Label: Wiener Philharmoniker

In a live recording from the Great Hall of Vienna's iconic Musikverein, Christian Thielemann conducts the Vienna Philharmonic in Bruckner's mighty Eighth Symphony, using the Robert Haas edition. The recording, made on 13 October 2019, represents the first of six of the orchestra's 2019-20 subscription concerts – among the most sought-after events on the international music calendar
Ensemble Cordia - Anton Wranitzky: String Quintet Op.8 No.3, String Sextet in G (2012) (Repost)

Ensemble Cordia - Anton Wranitzky: String Quintet Op.8 No.3, String Sextet in G (2012)
EAC | FLAC (image+.cue, log) | Covers Included | 49:02 | 222 MB
Genre: Classical | Label: Brilliant Classics | Catalog: 94168

After starting his compositional career writing for the Catholic Church, Anton Vranicky (1761-1820)- aka Wranitzky - had to change direction, since the reforms of Emperor Joseph II reduced the need for liturgical works in the 1780's. So he turned to the secular. Appointed as the leader of the small court ensemble of Prince Lobkowitz, the famous patron of Haydn, Beethoven and many others, he traveled among the Prince's 5 palaces, composing, arranging and playing chamber music. These two works are from that period, the very pinnacle of the Classical era.
Anton Batagov - Johann Sebastian Bach: Die Kunst der Fuge (The Art of the Fugue) (1993) 2CDs

Anton Batagov - Johann Sebastian Bach: Die Kunst der Fuge (1993) 2CDs
EAC | FLAC | Image (Cue&Log) ~ 462 Mb | Mp3 (CBR320) ~ 346 Mb | Scans included
Genre: Classical | Label: SoLid Records | # SLR 0001/2 | Time: 02:28:01

The Russian composer, pianist and electronic musician, Anton Batagov, graduated from the Gnessin School and the Moscow Tchaikovsky Conservatory. He was prize-winner at the International Tchaikovsky Competition (1986) and other competitions. Anton Batagov introduced the music by John Cage, Morton Feldman, Steve Reich, and Philip Glass to Russian audiences. His discographical debut was a recording of Olivier Messiaen's Vingt regards sur l'Enfant Jesus for Melodiya. From 1989 to 1996 he was one of the leaders and organizers of the Alternativa, the annual international new music festival in Moscow. Heralded as “one of the most significant and unusual figures of Russian contemporary music” (Newsweek, Russian edition, 1997) and "a Russian Terry Riley" (Mark Swed, Los Angeles Times, 2008), Anton Batagov is one of the most influential Russian composers and performers of our time. The well-known American musicologist Richard Kostelanetz characterized Batagov's 1993 piano recording of J.S. Bach’s The Art of the Fugue (BWV 1080) as "the most stunning interpretation of Bach since Glenn Gould".
Michael Alexander Willens, Kölner Akademie - Anton Eberl: Piano Concertos Op. 32 & Op. 40 (2011)

Michael Alexander Willens, Kölner Akademie - Anton Eberl: Piano Concertos Op. 32 & Op. 40 (2011)
EAC | FLAC | Tracks (Cue & Log) ~ 221 Mb | Total time: 62:03 | Scans included
Classical | Label: CPO | # 777 354-2| Recorded: 2008

Anton Eberl is often referred to when discussing contemporaries of Beethoven and Mozart. He was one of Beethovens leading rivals in the field of instrumental music, but unfortunately most of his work has disappeared. Having studied with Mozart there was no other composer whose works were more frequently passed off a Mozarts than Anton Eberl. The Piano Concertos opp. 32 and 40 presented here are performed on a period pianoforte and follow the model of the solo concerto developed toward the end of the eighteenth century as realised exemplarily and individually in Mozarts Piano Concertos.