Anton Dolgov

Anton Bruckner - Symphony No. 8 WAB 108 (Version 1890) in C minor
Beethoven Orchester Bonn / Stefan Blunier
2xSACD | EAC+LOG+CUE | FLAC: 331 MB | Full Artwork: 98 MB | 5% Recovery Info
Label/Cat#: MDG "Live" # 937 1713-6 | Country/Year: Germany 2011
Genre: Classical | Style: Romantic, Orchestral

"Even though Stefan Blunier's 2011 recording of Anton Bruckner's Symphony No. 8 in C minor is a lot to digest, timed at over 88 minutes and stretched almost to the breaking point, this is a deeply compelling performance and an impressive recording that deserves all the time listeners devote to it. (…) MDG's natural, unprocessed sound is a great aid to capturing the orchestra's subtle dynamics, and the live recording has very few extraneous sounds. Highly recommended." ~AMG

Rafael Anton Irisarri - Sirimiri (2018) {Umor Rex UR109 Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download -> 311 Mb | MP3 @320 -> 174 Mb | Cover | 5% repair rar
© 2018 Umor Rex | UR109
Experimental / Electronic / Ambient

Even though the sound expanses traversed by ambient music often evoke feelings of horizontality, layered planeness and volatile textures tranquilly billowing out, it is also true that the greater representatives of the genre and its sub-branches – like mountaineers – mostly seek for sky-scraping verticality. Ranking high in the pantheon of atmosphere architects, Rafael Anton Irisarri certainly has nothing left to prove. Since his beginnings over ten years ago, his output has gained a density that very few can boast having reached, establishing a sound that has the power to haunt your nights and the crucial energy to bring your most buried existential dreams out of mothballs.

Anton Bruckner - Symphony No. 8 WAB 108 (Version 1890) in C minor
Beethoven Orchester Bonn / Stefan Blunier
2xSACD | EAC+LOG+CUE | FLAC: 331 MB | Full Artwork: 98 MB | 5% Recovery Info
Label/Cat#: MDG "Live" # 937 1713-6 | Country/Year: Germany 2011
Genre: Classical | Style: Romantic, Orchestral

"Even though Stefan Blunier's 2011 recording of Anton Bruckner's Symphony No. 8 in C minor is a lot to digest, timed at over 88 minutes and stretched almost to the breaking point, this is a deeply compelling performance and an impressive recording that deserves all the time listeners devote to it. (…) MDG's natural, unprocessed sound is a great aid to capturing the orchestra's subtle dynamics, and the live recording has very few extraneous sounds. Highly recommended." ~AMG

Recordings that include strings quartets by Schoenberg, Berg, and Webern are common, but an album that includes music for quartet and voice by each of them is a rarity. Schoenberg's Second String Quartet, with a part for soprano in its third and fourth movements, is standard repertoire, but the version of Berg's Lyric Suite with a vocal part in the final movement is highly unusual, and Webern's bagatelle with voice, an unpublished movement apparently once intended to be part of the Six Bagatelles, Op. 9, receives what is probably its first recording. Novelty aside, the high standards of these performances make this a formidable release. Founded just before the turn of the millennium, Quatuor Diotima plays with the assurance and mutual understanding of a seasoned ensemble. The quartet has a lean, clean sound and the ensemble is immaculate, playing with exquisite expressiveness, an ideal combination for this repertoire.

These three masses are early works but Bruckner had already gestated into Bruckner by the time of their composition. His symphonies regularly quote motifs from these works; they resonated in his mind down the years (and in fact, the F Minor Mass was written as a palliative gesture when the poor bugger was madder than usual).

These three masses are early works but Bruckner had already gestated into Bruckner by the time of their composition. His symphonies regularly quote motifs from these works; they resonated in his mind down the years (and in fact, the F Minor Mass was written as a palliative gesture when the poor bugger was madder than usual).

In his lifetime, Anton Rubinstein (1829-1894) was most celebrated as a pianist and was often considered Liszt's only real rival. However, he was also an extremely productive composer, his output including eight concertos, two of which are for 'cello.