Fourth installment of the hugely popular 'Now That's What I Call Music' series, originally released in 1984. The songs included here are singles from U2, Queen, UB40, Culture Club and others.
Continuing its excellent series of Guarnieri Symphonies, the São Paulo Symphony Orchestra under John Neschling presents another program of marvelous music that deserves the widest possible exposure outside of its native Brazil. Guarnieri's First Symphony was composed in 1944 and dedicated to Serge Koussevitsky. It's as fine an example of American (in the widest sense) neo-classicism as anything by Copland, Harris, or Piston, and it's worth pointing out that this confidently mature work actually precedes much of those composers' symphonic output, as it does, say, Tippett's, whose rhythmic complexity and contrapuntal business it in some ways resembles. The central slow movement, marked "Profundo", is particularly well sustained and supports the composer's claim to be regarded a major 20th century symphonist.
This review is my celebration of two anniversaries. Composer Frederic Chopin was born 200 years ago, and this recording was made 50 years ago today. Chopin's piano concerto in F minor op 11, while carrying the number 1, was actually his second piano concerto. In any case it has always been my favorite of the two. The first maovement (allegro maestoso risoluto) contains a lenghthy (four minutes here) orchestral introduction and is by far the longest of the movements.
With 25 years of reign and seven acclaimed albums under their belt, Grammy-nominated metalcore pioneers As I Lay Dying are back with an unmissable new album that will define their legacy for years to come. Poised to be one of the most highly-anticipated metal comebacks in years, the band’s eighth full-length studio album, Through Storms Ahead, will drop on November 15, 2024 via Napalm Records. Following their 2019 album, Shaped By Fire, which Loudwire named one of the best albums of that year, the new album is an evolution of newly explored elements that further bolster the proven line-up of vocalist Tim Lambesis and guitarist Phil Sgrosso alongside recent newcomers Ryan Neff (bass, clean vocals), Nick Pierce (drums) and Ken Susi (guitar).
The London Symphony Orchestra's cycle of Brahms symphonies was Bernard Haitink's first set of recordings on the LSO Live label, originally released individually throughout 2004-05, and then as a boxed set in 2005. This collection of remastered recordings is now available on SACD, and digitally in spatial audio. Bernard Haitink's revelatory Brahms recordings with the LSO have demonstrated why fresh new interpretations of his major works are so important, and why the composer's music is still so relevant today. After struggling for years to come to terms with his fear of comparison to Beethoven, Brahms finally completed his First Symphony at the age of 43. It was hailed as a triumph and the remaining three symphonies followed relatively easily. His Symphony No.2 overflows with a relaxed, pastoral beauty, while the Third Symphony contains some of the most dramatic music Brahms was to compose. Finally, loaded with German Romanticism and including variations on a Bach cantata, Brahms' final symphony is a remarkable example of his mastery of symphonic composition. A rich, warm work that builds on a sense of movement and intensity right up to the final bars. Along with the symphonies, this release also includes Brahms' Double Concerto, Tragic Overture and Serenade No.2.
Hello – this is David from Next Level Guitar. I want to let you know that I am very proud to launch my brand new four DVD beginner course. It will get you playing guitar and getting results in the fastest and most efficient manner. This course has over eight hours of instructional materials on four DVDs. I will take you right from the start of your guitar journey all the while making it fun and easy. I make learning guitar infectious and through my proven methods you will want to pick up the guitar and practice and play more,…and more,…and MORE.
The reissue of a great, classic, wonderful Spanish progressive album. Feliu is a guitarist who plays only Spanish guitar, while Joan Albert, the leader of the equally great Musica Urbana, performs on acoustic piano, Fender Rhodes piano, clavinet and Moog synthesizer. Recorded in 1977, released on Edigsa and always hard to find, it is reissued here from the master tapes for the very first time! Musically very active and intricate and filled with great melodic passages, yet also very stripped down and open, allowing the listener to really get inside and hear all the details. Then, on the last track, Murica Urbana and guests join them for a rocking finish!