Iceberg from the middle of the 70's were easily one of the best Progressive bands to come from Spain. This band came from Barcelona and consisted of: Max Sune (guitar), Josep Mas Kitflus (keyboards), Primi Sancho (bass) and Jordi Colomer (drums), Angel Riba (voice) could only be heard on the first record. Their style was definitely jazzier but with continuous conversations between the guitars and keyboards in a mixture of fusion and symphonic sounds. The band mixed Return to Forever or The Mahavishnu Orchestra's crazy and energetic music and Santana's more latin one. Iceberg made four studio-albums entitled: "Tutankhamon" (1975), "Coses Nostres" (1976), "Sentiments" (1977) and "Arc-en-Ciel" (1979).
Very little of what we call "classical music" has been specially composed for children (with narration addressed specifically to them), either for didactic reasons or for plain, simple enjoyment. In the former category (to familiarize children with the instruments of the orchestra) are Benjamin Britten's "Young Person's Guide to the Orchestra" and Camille Saint-Saëns's "Carnival of the Animals" (which, strictly speaking, had been an "adult" conceit on Saint-Saëns's part). In the latter category are such classics as Francis Poulenc's "Babar the Elephant" and Sergei Prokofiev's "Peter and the Wolf." But the list is abysmally small.
Best known as a member of the legendary Welsh band Man, Deke Leonard also enjoyed a successful solo career in the early 1970s.
Iceberg (1973). Though Deke Leonard had made his reputation playing progressive rock in the Welsh group Man, his first solo album has more of a roots rock feel than anything released by that band. Roots rock played by someone with a taste for odd arrangements, perhaps, but roots rock nevertheless. "Lisa" and "Jesse" both sound like something that the Band might have turned out, country fiddle, organ, and all, though Leonard's distinctive, reedy voice makes it unlikely that anyone is actually going to mistake one for the other…