The seventh studio long-player from the veteran California-based metal ensemble, and their first new collection of music to feature ex-Bad Religion drummer Brooks Wackerman behind the kit, The Stage sees Avenged Sevenfold rolling up their sleeves and delivering an ambitious concept LP. Dropped with little to no promotion - WWE superstar and Fozzy frontman Chris Jericho leaked the album's original title, Voltaic Oceans, via his Instagram account a month prior to the release - the narrative concerns itself with the Orwellian consequences of a world struggling to adapt to the myriad complexities of artificial intelligence - there's even a spoken word appearance by celebrity astrophysicist Neil deGrasse Tyson. Despite some forays into Floyd-ian space rock - the soloing in the orchestra-driven "Roman Sky" is positively Gilmour-esque - the 11-track set mostly sticks to the kind of propulsive, melodic carnage…
Brutal and fast death-metal with twisted double-tracked vocals from Kam Lee, resulting in a cross between Mercyful Fate and Death. The deadliest of death-metal always comes from Florida, and this is no exception.
Professor Joe Lee of New York University delivers a lecture on the Easter Rising of 1916 at the Irish Embassy in London, from 18th January 2016.
Killer work from the same sessions that gave the world Cannonball Adderley's classic Black Messiah album – live material from an extended stretch as the Troubadour club in LA – featuring a very righteous, freewheeling version of Cannonball's group! The lineup features some wonderful work on Fender Rhodes from George Duke – who brings a more soulful, spiritual current to the proceedings than Joe Zawinul did in earlier years – a really commanding presence that hints at his brewing solo fame, and which is a very welcome addition to the core lineup, which also includes Cannon on soprano and alto, and brother Nat on cornet!
Preacher is a six piece rock band from Glasgow/Ayr in the United Kingdom that’s been making quite a name for themselves thanks to their stunning live shows and studio albums. The band is made up of Martin Murphy (Lyrics, Vocals, Guitar); Arny Burgoyne (Keyboards); Greg Murphy (Lead Guitar); Iain Duncan (Drums); Gordon Munro (Bass); Ron Rodgers (Acoustic Guitar) and they are often joined for live performances on home turf with the fabulous backing duo of Angela Bell and Kerry McWhinnie. Preacher’s distinctive sound is a sparkling blend of melodic rock and classic rock with subtle hints of Bowie and Floyd thrown in for good measure. Their stunning debut album Signals in many ways paid homage to the classic conceptual approach of crafting an album based around a single theme or ‘concept’ championed by bands such as Pink Floyd, Yes and King Crimson in their heyday and more recently with the likes of Radiohead opting for a similar aesthetic.
“Into The Legend” – a title for an album to expect something huge and also fitting perfectly to RHAPSODY OF FIRE. Because when it comes to “Symphonic Epic Metal” the Italian music pioneers are one of the top names. After 2 million sold records and almost two decades in the music business they are still inspired and hungry for more - as always. Two years after “Dark Wings” and the fulfilled split with Luca Turilli it is time to present “Into The Legend” - the new RHAPSODY OF FIRE masterpiece. Hymns like “Distant Sky”, “Into The Legend” and “Realms Of Light” will for sure reach the classic magnum opus status.
Even though they started out on Musea, EGOBAND is another Mellow Records Italian obscurity. What does that mean? It means it's hard to find band information. But there is enough to paint a picture. The first album's lineup consisted of Alessandro Accordino on vocals and keyboards, Fabio Cioni on drums, Massimo Fava on guitars, and Alfonso Capasso on bass. However, only Accordino and Capasso would be consistent with the group over its four-album career. This, along with the fact that there were no live efforts, leads to speculation that EGOBAND may have been more of a project than a band (a la Steely Dan). They went through interesting changes over their career. Starting out purely Neo, with heavy AOR tendencies, and ending up almost in Canterbury territory by the time they got to "Earth"…
Ever since the tenure of its chief conductor Eduard van Beinum (1945–59), the Royal Concertgebouw Orchestra has cherished one of the greatest Bruckner symphonic traditions in the world. With this release of Bruckner’s Ninth Symphony, Mariss Jansons and the Concertgebouw Orchestra add a new chapter to the RCO’s impressive performance and recording history of Bruckner’s works.