Their versatile sound, at times reminiscent of golden 60s, power pop, dream pop, post-punk and indie rock, demonstrates a dynamic range of songwriting prowess centered around consistently infectious, sun-soaked melodies and guitar hooks. HFHW formed in Davis, California as a noise collaboration between Adam Abildgaard and Nick Duffy in 2010, expanding to a full band when bassist Ted Davis and guitarist Nathaniel Blum joined the group in the following years. Renouncing the traditional front-manned format of most contemporary bands, the four instead each contribute songs and share the lead.
Démodé is a pocket-size orchestra, a six young musicians ensemble who stand out because of their original compositions. Their instrumental music sounds as a crossover between jazz, prog, cinematic and contemporary inspirations, setting up, through acoustic sounds, a very personal imagery which melts in various contaminations and combinations.
At the dawn of a new century when André Campra was busy writing his Carnaval de Venise (1699), was the composer aware that he would be passing onto the Académie Royale de Musique a fabulous and legendary work that would remain without successors? And whilst the court of the ageing Louis XIV was endeavouring to conserve the spirit of the Grand Siècle at Versailles, Paris was already humming with the new ideas of the Age of Enlightenment.
These red hot live performances by Art Blakey and the Jazz Messengers – recorded in 1977 in San Fransisco – are evidence that the hard-bop school of Blakey was alive and well in arguably the darkest time for the straight ahead jazz musicians. The "fusion" music was taking the attention – and audiences – away from this kind of music, and we had to wait a few more years before its resurgence and emergence of young lions such as Wynton and Branford Marsalis.
Avid Jazz here presents four classic Andre Previn albums including original LP liner notes on a finely re-mastered and low priced double CD.
“West Side Story”… A 1959 recording of the classic Leonard Bernstein score featuring Andre Previn on piano accompanied by Red Mitchell on bass and Shelly Manne on drums. Take a listen and consider Bernstein’s thoughts from his book “The Joy Of Music” … ”A popular song doesn’t become jazz until it is improvised on, and there you have the real core of jazz improvisation”. “Collaboration”… Andre is joined by Shorty Rogers in an unusual collaboration where each arranger takes turns to lead off with three standard arrangements while the other follows with three original tunes based on the standards chords…
Guillaume de Machaut is the first “famous” composer in western musical history. In his time, the Middle Ages, most composers delivered their works anonymously (as part of their clerical duties), but Machaut was considered such a master of his creative art that he presented his works under his own name. He was in service of the highest monarchs, among whom Charles V, King of France. Machaut’s “Messe de Nostre Dame” is the first polyphonic Mass written, a complicated structure full of ingenious compositorial techniques. But even without the theoretical knowledge we are still spellbound by the haunting beauty and mystery of this masterpiece.