Aproximacions a Variacion Lexical no Dominio Galego Portugues

Formed in 1969 by Gerry Beckley (guitar, piano, vocals), Dewey Bunnell (guitar, vocals) and Dan Peek (guitar, keyboards, vocals) who were all sons of US Servicemen stationed in England. They achieved success with their debut single "A Horse With No Name" which showcased their pop rock vocal harmony style. Further appearances in the singles charts followed with "Ventura Highway" and "Tin Man" along with album hits. The band has seen various reincarnations as anything from a duo to a 7 piece outfit, with Dan Peek leaving in 1977 (although he did rejoin for a few live appearances). America are still touring and releasing live and studio albums and consists nowadays, in their 16th personnel line-up, of the core duo of Beckley & Bunnell with Willie Leacox (drums/percussion), Mike Woods (guitar/vocals) and Richard Campbell (bass/vocals).

To hear tenor saxist A.C. Reed bemoan his fate on-stage, one might glean the impression that he truly detests his job. But it's a tongue-in-cheek complaint - Reed's raspy, gutbucket blowing and laid-back vocals belie any sense of boredom. Sax-blowing blues bandleaders are scarce as hen's teeth in Chicago; other than Eddie Shaw, Reed's about all there is. Born in Missouri, young Aaron Corthen (whether he's related to blues legend Jimmy Reed remains hazy, but his laconic vocal drawl certainly mirrors his namesake) grew up in downstate Illinois. A big-band fan, he loved the sound of Paul Bascomb's horn on an obscure Erskine Hawkins 78 he heard tracking on a tavern jukebox so much that he was inspired to pick up a sax himself…

This symphony probably may not have changed musical history from the moment it was first written, in Salzburg in early 1774 by the 18-year-old Mozart. But it crystallises the young man’s emerging compositional self-confidence, and that shows him spreading his wings in symphonic music just as he had already started to do in the opera house and in his chamber music.