Arlo Elena

2021 is less than a month old and already we have one of the albums of 2021 from London-based musician and poet Arlo Parks. The album is a series of vignettes and intimate portraits surrounding her adolescence and the people that shaped it. It is rooted in storytelling and nostalgia. The album is an emotional rollercoaster of heartbreak, beautiful poetry, betrayal and hope, that has been inspired by Allen Ginsberg, Sylvia Plath, Jim Morrison and Fela Kuti. One listen and you will fall in love, like you did when you first heard Frank Ocean, King Krule or Lilly Allen.

Arlo Guthrie celebrates the fiftieth anniversary of the events that snowballed into the Alice's Restaurant Massacree, his iconic talking blues narrative that has become an established part of the Thanksgiving tradition, with an unprecedented show.

No time of day has presumably been set to music more often than the nighttime. On this album violinist Elena Denisova and pianist Alexei Kornienko are featuring nocturnal works of the 20th and 21st century. Canto crepuscolare by Gian Francesco Malipiero, dating from 1908, is still a playful impressionist composition, while the Nocturne for violin and piano by John Cage (1947) rather revels the silence. A calm and melancholic vision is painted by Helmut Rogl’s Ein Traum zur halben Nacht (A Dream at Midnight, 1986), whereas Notturno (2007) by Michael Colina and Incubus, Fantasy for violin, piano and electronics (2020/21) by Alfred Huber depict the eerie and scary traits of nighttime. Like the work by Huber, Durch die Nacht (Through the Night) for violin and pre-recorded electroacoustics by Dieter Kaufmann (2020/21) as well as all the darkness we can hear – all the silence we can see (2020/21) by Oscar Jockel are world-premiere recordings.