Armor Blitz Sea Apk İndir + Mod V0.756.2b

UK three CD set. Halcyon Days charts the development of mod friendly beat music across three CDs from the jazzy R&B of Chris Farlowe, Duffy Power with Graham Bond and Zoot Money that opens disc one through horn laden Brit soul from Jimmy James, Geno Washington and The Richard Kent Style, ska from Mickey Finn & The Blue Men, girl group pop from The Chantelles and fuzz drenched freakbeat from The Pretty Things and The Worrying Kynde. Producer Mike Hurst opens his archives allowing us to include freakbeat nuggets from The Australian Playboys, The Human Instinct, The Favourite Sons, Double Feature and The Oscar Bicycle plus orchestrated pop gems from the soulful Truly Smith, psychedelic The Alan Bown!, Swedish mods The Tages and dramatic singing twins Paul & Barry Ryan. First time on CD rarities include British R&B, soul and mod beat tracks from The Athenians, The Fingers, The Candy Dates, Barney J. Barnes & The Intro, Kevin 'King' Lear, Dorian Gray, Barry St. John

Prog Temple present Dead Sea Fruit's self-titled album, originally released in 1967. This good-humored British quintet have been likened to the Kinks, the Mothers of Invention, and the Bonzo Dog Doo-Dah Band. Based in France, they appeared on TV with Salvador Dali and performed in London venues including the legendary UFO, but made no commercial breakthrough and broke up in 1968, leaving behind one rare album. Originally released in April 1967, it makes it's long overdue CD debut here, together with background notes and images.

American Sea Shanties and Songs is part of Rounder's extensive Library of Congress compact disc reissue series. Originally released as part of the Folk Music of the United States series in 1952, it features 21 unaccompanied tracks sung by Richard Maitland, "Sailor Dad" Hunt, Noble B. Brown, and Capt. Leighton Robinson. These are shanties for purists, sung slowly – a sailor's work was never done in haste – and surely by the men who incorporated them into their everyday nautical routines. The tracks themselves are typical of the Lomax era, recorded in the field to capture all of the atmosphere and emotion generated by the physical workplace. All of the original illustrations, extensive research notes, and in-depth discussions of the genre and its colorful terms and characters are intact, and these, more so than the fascinating – but poorly recorded – songs, are reason enough to pick up this invaluable maritime resource.