Ars Antiqua Austria & Gunar Letzbor

Gunar Letzbor and his ensemble Ars Antiqua Austria are proven specialists for Austrian baroque music. During recent years, they have rediscovered, performed and recorded polychoral Festive Masses by Weichlein, Ramhaufsky and Hochreither and thus Georg Muffat's magnificent 'Missa in labore requies' is a logical choice of repertoire. This work is the only surviving church music by Georg Muffat and is overwhelming in sonic impact and profundity but also a richness of melodic invention. In its polychoral design, the work is in the tradition of Salzburg Festive Masses, reflecting in their extraordinary musical opulence, the almost boundless material wealth of the prince bishops who commissioned them.

Franz Joseph Aumann was born in 1728, in the city of Traismauer and studied in Vienna. In 1753 aged only 25 he established himself at St. Florian, where he remained until his death in 1797. He composed 12 Requiems, in addition to masses, motets, litanies, offertories and oratorios. In the Requiem recorded here the listener is confronted with early Baroque opulence: the use of almost exclusively solo instrumental parts and singers bring a transparency and layered effect to the composition.

Amandus Ivanschiz was baptised Matthias Leopold Ivanschiz on 24 December 1727 in the Austrian city of Wiener Neustadt. As early as 1742, at the age of fifteen, Matthias decided to join the Pauline Order and took the name Amandus. On 25 December 1743 Amandus took his vows and was then sent to Maria Trost and Wiener Neustadt to study for the priesthood.

It was a sensational find in many respects when Gunar Letzbor discovered the Passion by the composer and Augustinian canon Franz Joseph Aumann in the archives of St Florian's Abbey (near Linz, Austria) and other monasteries.

Joseph Balthasar Hochreither (1669-1731) from a family of Salzburg court musicians, was appointed briefly as organist at the Benedictine convent in Nonnberg before taking up his position for life in Lambach in 1694 where he remained until 1721. Almost all of his 21 works to have survived were composed during this period, with the exception of the festival mass on this recording dating from the year 1731. Hochreither was appointed as cathedral chapter organist in Salzburg in 1721. He died on 14 December 1731 in the city of his birth and was buried in the St Peter cemetery.

The numerous sonatas of the violinist-composer Antonio Bertali constitute a fascinating testimony as to the imperial splendour and culture at the Viennese court c. 1650. After being a violinist in the Accademia Filarmonica di Verona from 1620 to 1624, Bertali left for Vienna where one of the heights of his career was is appointment as Kapellmeister on October 1st 1649, and he would hold this position up to his death in 1669. Even though famous as a violinist in his lifetime, Antonio Bertali is not one of the bestknown composers for violin.