Art Lingerie Cara Carter

The epitome of class and elegance, though not stuffy, Ron Carter has been a world class bassist and cellist since the '60s. He's among the greatest accompanists of all time, but has also done many albums exhibiting his prodigious technique. He's a brilliant rhythmic and melodic player, who uses everything in the bass and cello arsenal; walking lines, thick, full, prominent notes and tones, drones and strumming effects, and melody snippets. His bowed solos are almost as impressive as those done with his fingers. Carter has been featured in clothing, instrument, and pipe advertisements; he's close to being the bass equivalent of a Duke Ellington in his mix of musical and extra-musical interests. Carter's nearly as accomplished in classical music as jazz, and has performed with symphony orchestras all over the world…

Milt Jackson - Milt Jackson At The Museum Of Modern Art (1965) {Verve Originals rel 2008 B0011221-02}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 275 Mb | MP3 @320 -> 97 Mb
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© 1965, 2008 Verve / Universal | B0011221-02 | Verve Originals
Jazz / Hard Bop / Modal Music / Soul Jazz / Vibes

One of the hippest Milt Jackson albums of the 60s – a set that definitely lives up to its Museum Of Modern Art setting! The performance is one of the most famous from that museum's well-remembered series of 60s jazz concerts – and it features Milt Jackson's quintet really stretching out nicely – hitting sharper tones and bolder notes than in some of their other sessions of the decade, and possibly picking up a freer feel overall in the live setting. Milt's vibes are wonderfully accompanied by the reeds of Jimmy Heath and piano of Cedar Walton – both players who mix soul and modern elements in the same sort of perfect blend that Jackson hits. And the rhythm section is tightly snapping and soulful – never too groove-oriented, but always conscious of a sense of a swing – thanks to bass from Ron Carter and drums from Candy Finch.