For this very special release in The Book of Angels series, Zorn has brought together five of the most acclaimed musicians in modern jazz to perform nine of his most distinctive and lyrical compositions. Truly a jazz supergroup, these five master musicians explore Zorn's beautiful and exotic tunes with profound melodic and harmonic knowledge and a depth of feeling that is a joy to hear. One of the most breathtaking CDs in the entire Masada series—a touch of the sublime from the beautiful new Masada Quintet!
Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.
It is a well-established fact that our approach to music is generally twofold: this is the physicists' as well as the musicians' doing. One the one hand, music is considered to be based on acoustics, or even mathematics, which ought to give it the status of a science; on the other hand , it is acknowledged that it proceeds from psychological and sociological phenomena which, over the ages, have developed into an art, itself depending on various crafts. There is no longer any contradiction between the two approaches so long as one is prepared to accept them jointly, with enough insight to respect the methods proper to each end of the "chain."
Life in 12 Bars is the name of Lili Fini Zanuck's feature-length 2018 documentary about Eric Clapton, so it fits that its accompanying soundtrack also attempts to tell his story, only through song. To that end, the double-disc soundtrack doesn't limit itself strictly to music Clapton recorded himself, either on his own, as a sideman, or with the many bands he's played in over the years. It kicks off with three vintage blues sides – "Backwater Blues" by Big Bill Broonzy, then two cuts from Muddy Waters – and it later finds space for Aretha Franklin's "Good to Me as I Am to You" and George Harrison's "My Sweet Lord" (although, oddly, nothing from the Band's Music from Big Pink, which changed the course of Clapton's career as thoroughly as hearing blues for the first time).