At Tatiana Lisovskaya

What more can you ask for? Asleep at the Wheel playing on Austin City Limits running through a smoking program of rocking, strolling Western swing tunes – with special guests like Eldon Shamblin, Johnny Gimble, Leon Rausch, and Herb Remington no less. Asleep at the Wheel have performed on Austin City Limits numerous times – including the very first broadcast program back in 1976 – but this show, recorded gorgeously from 1992, is special. The bandmembers are so relaxed, open, and in the groove here that this stands out among their live recordings. It's true that the program is familiar, full of favorites and legendary swing tunes, though "Boot Scoot Boogie" by Brooks & Dunn's Ronnie Dunn is also here. Some of the standouts include "Roly Poly," "Corrine, Corrina," "Blues for Dixie," and the closing read of the Cindy Walker/Bob Wills tune "Sugar Moon."

STORM AT SUNRISE was an unusual progressive/hard rock band from Texas. It was founded by multi-instrumentalist Dave GRYDER, a musician who previously played drums and sang in metal bands Morning Thunder [with future Underground Railroad guitarist Bill Pohl], Heaven's Force, and Rotting Corpse. After leaving Corpse, GRYDER started his solo career as a symphonic prog keyboardist under the moniker "Covenant" and released one album in 1992, 'Nature's Divine Reflection'. Around the turn of 2000, he created band STORM AT SUNRISE together with guitarist Ernie MYERS [previously in symphonic prog band HANDS] & bassist John CHESTERFIELD. GRYDER took on keys, drums & vocal duties and consequently STORM at SUNRISE never played concerts, becoming primarily a studio act.

STORM AT SUNRISE was an unusual progressive/hard rock band from Texas. It was founded by multi-instrumentalist Dave GRYDER, a musician who previously played drums and sang in metal bands Morning Thunder [with future Underground Railroad guitarist Bill Pohl], Heaven's Force, and Rotting Corpse. After leaving Corpse, GRYDER started his solo career as a symphonic prog keyboardist under the moniker "Covenant" and released one album in 1992, 'Nature's Divine Reflection'. Around the turn of 2000, he created band STORM AT SUNRISE together with guitarist Ernie MYERS [previously in symphonic prog band HANDS] & bassist John CHESTERFIELD. GRYDER took on keys, drums & vocal duties and consequently STORM at SUNRISE never played concerts, becoming primarily a studio act.

Blue Engine Records proudly releases Freedom, Justice, and Hope, the live recording of Jazz at Lincoln Center’s multidisciplinary concert that contextualizes jazz within Black Americans’ pursuit of equality. Featuring the Jazz at Lincoln Center Orchestra with Wynton Marsalis in creative collaboration with social justice activist and founder of The Equal Justice Initiative Bryan Stevenson, the recording features new arrangements of some of the most important protest songs in jazz history and new works by featured guest artists Endea Owens and Josh Evans.

Swing into the holiday spirit with BIG BAND HOLIDAYS II, the sequel to the critically acclaimed 2015 release from the Jazz at Lincoln Center Orchestra with Wynton Marsalis. Featuring original arrangements of holiday classics selected from Big Band Holiday concerts spanning from 2015 to 2018, nine-time GRAMMY Award winner and Pulitzer Prize winner Wynton Marsalis and the JLCO are joined by an all-star assortment of guest vocalists, including Veronica Swift, Denzal Sinclaire, Catherine Russell, Audrey Shakir, and the Queen of Soul herself, Aretha Franklin.

The Jazz at Lincoln Center Orchestra (JLCO), comprising 15 of the finest jazz soloists and ensemble players today, has been the Jazz at Lincoln Center resident orchestra since 1988 and spends over a third of the year on tour across the world. Featured in all aspects of Jazz at Lincoln Center’s programming, this remarkably versatile orchestra performs and leads educational events in New York, across the U.S. and around the globe; in concert halls; dance venues; jazz clubs; public parks; and with symphony orchestras; ballet troupes; local students; and an ever-expanding roster of guest artists.

Given the significance of Afro-Latin rhythms in jazz’s development, there’s inherent value in a premier repertory ensemble like the Jazz at Lincoln Center Orchestra collaborating with legendary Panamanian singer Rubén Blades. But the delight of this 2014 live performance is hearing the musicians stretch themselves beyond the safety of well-trodden Latin jazz territory. Along with reliably excellent performances of salsa tunes, Blades brings Rat Pack brashness to American standards like “Too Close for Comfort,” “Fever,” and “They Can’t Take That Away From Me.” And in bassist Carlos Henriquez’s arrangements of Blades classics like “El Cantante,” the JALCO shifts between its always-convincing swing and bona fide clave, educating us in the rhythms’ historic connections along the way. After the full orchestra’s sheer sonic force, Blades’ “Patria” is an album highlight, with a scaled-down ensemble of percussionists, bass, and trumpeter Wynton Marsalis backing the singer in stark magnificence.