One of the reasons that some major labels love to license big chunks of their catalogs to smaller independent outfits for box set reissues is that they never know that those licensees will turn up in putting those sets together, and it all becomes fair game for the parent company. Thus, in 1994, a year after Mosaic unearthed five previously unissued tracks from the October 1957 sessions that yielded The Atomic Mr. Basie on Roulette, Capitol Records (which had acquired the Roulette library) issued this expanded version of the original album. The original 11 songs are here, remastered into proper mono (there was an impossible to listen to duophonic stereo master made at the time of release that was in circulation on LP for a time), along with five outtakes consisting of material written and arranged by Jimmy Mundy…
During an era when the Count Basie Orchestra was often being used as a mere prop behind other singers, this album was quite refreshing. With the exception of trombonist Richard Boone's two eccentric vocals, this is an instrumental date with arrangements provided by bandmembers past and present, and concise solos contributed by quite a few talented players.
This superb 5-CD collection compiles all existing live recordings made by the Atomic band at the Crescendo Club, in Hollywood, in the summer of 1958, for the first time ever on a single edition. The sound quality is excellent throughout the set. Count Basie’s career was revived in late 1957 thanks to the success of the Neal Hefti-arranged LP Atomic Basie, which became one of his biggest hits. The orchestra was filled with stars, and Joe Williams’ vocals were heard to great effect supported by Hefti’s excellent scores and the superb quality of the band.
"April in Paris" (1956), "King of Swing" (1954), "The Atomic Mr. Basie" (1957) and "The Greatest!! Count Basie Plays, Joe Williams Sings Standards" (1956) are presented here on a superbly remastered double CD.
April in Paris (1956). One of the staples in the Count Basie discography, April in Paris is one of those rare albums that makes its mark as an almost instant classic in the jazz pantheon. April in Paris represents the reassembly of the original Count Basie orchestra that define swing in the 1930s and 1940s. The title track has come to define elegance in orchestral jazz. Recorded in 1955 and 1956, April in Paris proved Count Basie's ability to grow through modern jazz changes while keeping the traditional jazz orchestra vital and alive…
“Sinatra-Basie”; “Count Basie and the Kansas City 7”; “The Atomic Mr. Basie”; “Basie Plays Hefti” plus five previously unissued mono tracks from Newport 1956.
“Sinatra-Basie” continues our new series revealing the hidden qualities of stereo sound and here we again quote from the original liner notes to give you a flavour of what to expect within the grooves. “I’ve waited twenty years for this moment” said Frank Sinatra as the recording session for this historic meeting of two genuine musical giants of the 20th Century began on the 2nd October 1962. A few more quotes… With arrangements by Neal Hefti… ”it is the balance of power (between Sinatra and Basie) “that is so successful”…
A touch of jazz genius pairing the charts of the "Fabulous Bill Holman" with the relentlessly swinging Bill Basie's Orchestra. The lines are pure Holman, particularly the call and response counterpoint between reeds and brass and, use of unison voicings. The classic 4/4 rhythm feel underpinned by guitarist Freddie Green is pure Basie.
Basie on the Beatles is an album by pianist and bandleader Count Basie featuring performances recorded in late 1969 and released on the short-lived Happy Tiger label. It was Basie's second album of Beatles' compositions following 1966's Basie's Beatle Bag and featured liner notes by Ringo Starr.
Some of Count Basie's finest recordings were cut for the Roulette label during 1957-1962, and all of his studio performances are included on this massive Mosaic ten-CD boxed set. Among the classic former LPs that are reissued here are The Atomic Mr. Basie, Basie Plays Hefti, Chairman of the Board, Everyday I Have the Blues, and Kansas City Suite. With such soloists as trumpeters Thad Jones and Joe Newman, the tenors of Frank Foster and Eddie Lockjaw Davis, Frank Wess on alto and flute, vocals by Joe Williams, and the timeless arrangements of Neal Hefti, Thad Jones, Frank Foster, Ernie Wilkins, and Frank Wess among others, this essential (but unfortunately limited-edition) set features the second Count Basie Orchestra at its very best.