Audirvāna Studio 3.5.47

Audirvana is high-performance audio playback software which handles all formats and resolutions, makes music a priority on your computer, adapts its settings to your sound system, and offers you all the necessary features to optimize your setup.

Audirvana is high-performance audio playback software which handles all formats and resolutions, makes music a priority on your computer, adapts its settings to your sound system, and offers you all the necessary features to optimize your setup.

Audirvana is high-performance audio playback software which handles all formats and resolutions, makes music a priority on your computer, adapts its settings to your sound system, and offers you all the necessary features to optimize your setup.

Audirvana is high-performance audio playback software which handles all formats and resolutions, makes music a priority on your computer, adapts its settings to your sound system, and offers you all the necessary features to optimize your setup.

Audirvana Plus 3: The audiophile music player for Mac. Audirvana Plus is an user friendly audio player that is capable to import your iTunes music library, but can also scan specific folders and automatically integrate any new tracks. The player offers support for editing the track’s metadata, helps you create smart playlists, is processing the audio with 64bit precision to provide the best quality possible, and much more.

Ten years after the release of the D-minor Concerto under Leonard Bernstein (see No. 3), Gould now issued Volume 1 of the Bach concertos under Vladimir Golschmann. “I want to tell you how much I enjoyed the recording. Please keep in mind always that if no other conductor will go into the studio with you, I will go!”

John Birks "Dizzy" Gillespie (/ɡɪˈlɛspi/; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz.

With this recording, Piotr Anderszewski returns to Bach’s English Suites after more than 10 years. In 2002, when Virgin Classics (now Warner Classics/Erato) released his interpretations of Suites 1, 3 and 6, The Sunday Times spoke of “Bach playing of the highest order,” enthusing that: “His playing throughout is wonderful, laying out Bach’s contrapuntal writing with a clarity and subtlety of touch that removes these works far from the realms of technical exercises. His fingers dance in the Courantes and Allemandes, and positively sing the melodies of the sublime Sarabandes”.

After Mozart’s youth symphonies, the Freiburger Barockorchester returns to the composer with a ‘portrait of the artist as a young man’: concertante music this time, with the last three violin concertos, composed when he was twenty years old.

Jean-Jacques Kantorow and the Tapiola Sinfonietta have championed the music of Saint-Saëns on a series of acclaimed discs, and are now joined by the young Alexandre Kantorow –son of the conductor – for a survey of his works for piano and orchestra. In 1858, Saint-Saëns became the first major French composer to write a piano concerto, but on this first disc of two the Kantorows present the three last concertos. Composed over a period of almost 30 years (1868 – 1896), these are highly individual works: Piano Concerto No. 3 is a bold attempt to reconcile Classical form with a Lisztian pianistic brio, No. 4 employs an unusual formal scheme in which themes are reused in a cyclic manner and, finally, the ‘Egyptian’ (No. 5), named after the second movement, which in the composer’s own words describes ‘a sort of Eastern journey that goes all the way to the Far East’.