Aurora Aurora (1977) [1999, Shroom, SP 99007]

George Benson - Weekend In L.A. (1977) {Warner Bros. 3139-2 rel 1999}
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© 1977, 1999 Warner Bros. Records Inc. | 3139-2
Jazz / Contemporary Jazz / Crossover Jazz / Quiet Storm / Guitar

Recording live at Los Angeles' Roxy club – then a showcase for many of the hottest acts in pop – was just the tonic that George Benson and his Breezin' band needed on this often jumping album. With unusually lively crowds (for a record-industry watering hole) shouting encouragement, the band gets deep into the four-on-the-floor funk and Benson digs in hard, his rhythmic instincts on guitar sharp as ever. The balance between vocals and instrumentals is about even – George's voice sounds more throaty and soul-oriented than before – and amid the new material, there is a revisit to a favored CTI-era instrumental, the lovely "Ode to a Kudu."

Short-lived Argentinian supergroup, that came to life in 1975 after the demise of Sui Generis. Initially Polifemo started as a Blues Rock trio with Sui Generis's Rinaldo Rafanelli on bass and Juan Rodriguez on bass along with guitarist David Lebón (ex-Pappo's Blues and a bandmate of Rinaldo Rafanelli in Color Humano). After a first single in 1975 the trio was joined by Espíritu's keyboardist Ciro Fogliatta and Polifemo, who had already singed with EMI, debuted in May 1976 with a self-titled debut.
While the basis of Polifemo's music was still a standard well-played Blues Rock, the presence of Fogliatta and the anxious spirits of the rest of the band make "Polifemo" much more than a rock release full of bluesy solos and grooves…

Ron Carter - Piccolo (1977) {Milestone MCD-55004-2 rel 1999}
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© 1977, 1999 Milestone / Fantasy | MCD-55004-2
Jazz / Hard Bop / Post-Bop / Third Stream

This double album is mostly recommended to lovers of bass solos. With Ron Carter functioning as the main soloist on piccolo bass, only the solos of pianist Kenny Barron offer a bit of contrast. Bassist Buster Williams and drummer Ben Riley, who complete the quartet, are mostly featured in support. These performances, which are well-played, are almost all quite long, so listeners who prefer more variety in their music are advised to look elsewhere.

Moondog - The German Years 1977-1999 - Anthology & The Last Concert (2004) {2CD Set ROOF Music RD 2433221}
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© 1977-99, 2004 ROOF Music | RD 2633272
Classical / Jazz / Avant-Garde / Modern Classical / Minimalism

This deluxe double-disc box from Germany's Roof Music contains a collection of Louis Thomas Hardin's music recorded from 1977-1999 entitled The German Years as well as a second disc entitled The Last Concert, Mimi-Festival 1999. There are 44 pages of liner notes that lovingly put the complex music into as much perspective as possible, though it is up to the listener to diligently explore the lifework of this creative and unique individual.

Star Wars and Other Galactic Funk is a disco album by Meco released in 1977. The album uses various musical themes from the Star Wars soundtrack arranged as instrumental disco music. A single from the album, "Star Wars Theme/Cantina Band", reached number one on the Billboard Hot 100 on October 1, 1977, holding to that position for two weeks. The album was released on compact disc with two additional versions of the single.

The New Composers who set standards in the Russian Techno and Ambient scene now collaborate with a man who invented Ambient music in the early 80ies, Brian Eno. The music varies between the piano - charme of a russian ballet studio, pure ambience and environmental music as well as 80ies electronic instrumental and 50ies "Fokstrot" music. Simply incredible how homogenous this mixture of different musical influences sounds and which kind of special atmosphere and sound this music out of Russia has.

Sherbet were Australia's most popular pop group of the 70s with 20 consecutive hit records and 17 album, accounting for 10 platinum and 14 gold disc awards. In 1969 the Sydney entertainment scene was almost totally geared towards satisfying the money-rich comfort-starved American Vietnam troops who came for official Rest And Recreation. Sydney's nightclubs gave them what they wanted - r&b, soul, funk, good-time rock - and these influences spilled over into the pop group Sherbet, formed without singer Daryl Braithwaite, but completed by his falsetto-capable vocals. They were the archetypical 70s girl fodder pop band - groomed hair, colorful satin stage outfits.

Crammed with over two hours worth of Can performing during their peak years this selection of live cuts shows just what a dazzlingly inventive outfit the German free-form pioneers could be outside of their natural studio habitat. Like many innovative groups of the 1960's and 1970's Can live were a remarkably different beast from their studio persona, many of the tracks captured on this two-disc compilation either completely unrecognisable from their original album form or simply the result of some impromptu jams between the five members…

Mychael Danna and Tim Clément, both wonderful composers in their own right, are one of the greatest duos that the ambient/space music style has ever had the pleasure of hearing. This best-of recording is an organic, ambient masterpiece that showcases their most brilliant work in a cohesive, long-running sonic excursion. This is actually a collection of older pieces, remixed, remastered, and produced by Stephen Bacchus. The beautifully sonorous timbres and reflective atmospheres of Danna & Clément are mesmerizing. The story behind this recording is significant because it illustrates both how these works came about and the fact that the duo were pioneers of environmental sound recording long before nature sounds became a staple of the new age genre…