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Willie Nile - If I Was A River (2015) Music
Posted by popsakov at April 4, 2024
Willie Nile - If I Was A River (2015)
EAC Rip | FLAC (Img) + Cue + Log ~ 191 Mb | MP3 CBR320 ~ 98 Mb
Full Scans | 00:34:10 | RAR 5% Recovery
River House Records / Blue Rose Records #BLU DP0650
Folk Rock / Pop Rock / Roots Rock
EAC Rip | FLAC (Img) + Cue + Log ~ 191 Mb | MP3 CBR320 ~ 98 Mb
Full Scans | 00:34:10 | RAR 5% Recovery
River House Records / Blue Rose Records #BLU DP0650
Folk Rock / Pop Rock / Roots Rock
Willie Nile's style has never been monochromatic, either as a songwriter or a performer, but over the course of a recording career that was launched in 1980, two things have been consistent – the guy clearly loves rock & roll, and he sure likes guitars (Nile even released an album called House of a Thousand Guitars). So was anyone out there expecting Nile to make an entire album of contemplative, midtempo acoustic numbers built around the guy playing piano? In many respects, If I Were a River upends the average fan's expectations about a Willie Nile album (especially after 2013's decisively rockin' American Ride), although the dramatic force of Nile's songwriting and the passion of his vocals should be more than familiar to anyone who has been listening to his music over the years
Ornette Coleman - The Empty Foxhole (1966) {Blue Note Japan SHM-CD UCCQ-5121 rel 2015} (24-192 remaster) Music
Posted by ruskaval at May 14, 2018
Ornette Coleman - The Empty Foxhole (1966) {Blue Note Japan SHM-CD UCCQ-5121 rel 2015} (24-192 remaster)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 249 Mb | MP3 @320 -> 92 Mb
Full Artwork @ 600 dpi (png) -> 167 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1966, 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5121
Jazz / Post Bop / Avant-Garde Jazz / Saxophone
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. One of our favorite Ornette Coleman albums of the post-Atlantic 60s years – a set that still hangs onto some of the bold rhythmic conception of his previous records, but also points the way towards his freer jazz modes to come! The group's a trio – with really tremendous work from Charlie Haden on bass, able to match Coleman's energy with effortless ease, and really getting a lot of room to leave his mark on the music – plus the very young (10!) Denardo Coleman, who plays drums here with this stark, simple style that's not only completely unique, but which also leaves a lot of open room left for Haden and Ornette to really stretch out. Ornette plays his usual alto, plus trumpet and violin – and titles include "Good Old Days", "The Empty Foxhole", "Zig Zag", and "Freeway Express".