This set, caught at an open-air concert on a sunny afternoon in Bremen almost 40 years ago, finds the pianist and composer Horace Silver, who died in June aged 85, with a band young enough to be his own children. They are all very good but, with the exception of trumpeter Tom Harrell, every phrase they play has 1977 stamped on it, whereas the themes and the piano-playing bear the Silver hallmark of true originality. A mixture of yearning romantic and slightly hyperactive joker, his musical personality was all his own and fashion had nothing to do with it. He was priceless and is much missed.
Reissue with the latest remastering. Comes with liner notes. A double-length, ultra-cool set from saxophonist Phil Woods – yet another aspect of his great body of work from the 70s, and a live date that features Woods at the head of a sextet! The group here features acoustic piano, electric guitar, bass, drums, and percussion – all used in ways that are often a bit more organically building and spacious than some of Phil's more intense Rhythm Machine albums – showing a new sensitivity in Woods' music, but one that still has plenty of room for searing, searching solo moments! Titles include "Django's Castle", "A Little Peace", "Brazilian Affair", "I'm Late", "Superwoman", "High Clouds", "How's Your Mama", and "Rain Danse".
Reissue with the latest remastering. Stunning stuff – and one of the best-ever Latin soul albums of all time! Despite the fact that Eddie Cano's earlier albums are more in a Latin easy mode, this late 60's side for Dunhill is totally smoking – and probably his greatest album ever! Forgive the superlatives, but we're totally serious on this one – as the set's a firey batch of Latin instrumentals, with a slammin' boogaloo groove all the way through – filled with mad percussion, jazzy piano riffs, and a non-stop groove that's totally great. The set was recorded live at PJ's nightclub, and it's a non-stop Latin Soul party that includes massive originals like "Slip Slip", "Brown & Blue", "Miro Como Es", and "Don't Ever Change" – plus smoking covers of "El Pito" and "Louie Louie". The set screams with excitement, and is as great as the album is rare!
If The Hurting was mental anguish, Songs from the Big Chair marks the progression towards emotional healing, a particularly bold sort of catharsis culled from Roland Orzabal and Curt Smith's shared attraction to primal scream therapy. The album also heralded a dramatic maturation in the band's music, away from the synth-pop brand with which it was (unjustly) seared following the debut, and towards a complex, enveloping pop sophistication…
Although he doesn't often get the same level of attention and critical acclaim that fellow Jamaican producers like Lee "Scratch" Perry receive, Bunny "Striker" Lee was every bit as influential, particularly on the dub scene, where his output was so generous that labels were created to handle it, including Jackpot Records, formed in the 1970s by Trojan Records to provide a conduit for Lee's dub cuts. This fine archival set gathers some of the best and most interesting of these sides, all of which were created and originally released between 1974 and 1976.