Containing 1CD per year of live material taken from 2014-2018, Audio Diary features King Crimson in its ideal environment - recorded live.
Spring 1990 (The Other One) is a live album by the rock band the Grateful Dead. Packaged as a box set, it contains eight complete concerts on 23 CDs, recorded during the band's spring 1990 concert tour. It was produced as a limited edition of 9,000 numbered copies, and was released by Rhino Records on September 9, 2014.
Excellent five CD set containing five original albums in mini LP sleeves (featuring original cover art) and all are housed together in one slipcase. Includes the albums Teddy Pendergrass, Life Is A Song Worth Singing, Teddy, TP and It's Time For Love.
This boxed-set features all three albums Herbie Hancock released for Warner Bros Records between 1969 and 1971. They were an extraordinary creative three years, a little island of free-wheeling experimentation between his stint with the Miles Davis Sextet and his later career as the presiding genius of jazz-funk. Herbie Hancock’s Warner Brothers recordings represent the emergence and unfolding of his Mwandishi Band. This genre-crossing group pioneered an expressive use of sound and technologies, a blend of beat and abstraction, Afrocentric sensibilities, and while fronted by a strong leader, a collectivist approach to making music. The band prepared the groundwork for Hancock’s emergence as a proponent of a synergy between jazz and funk.
Brit Floyd is a UK based Pink Floyd tribute band formed in 2010, whose stage presentation, comprising an elaborate light show, projections and inflatables, is loosely based on Pink Floyd's 1994 The Division Bell Tour, often referred to as the "Pulse" tour. The British Pink Floyd Show was born out of a split in The Australian Pink Floyd Show (TAPFS), with the name later shortened to Brit Floyd. Brit Floyd consists of musicians who have all performed with TAPFS.
This time last year Ace released its first comprehensive overview of one of the many subsidiaries of the Bihari brothers’ Modern Music Company. Having dealt with the R&B releases on Flair, we now turn our attention to other labels within the Modern family – starting with RPM, the longest-running of the subsidiaries. It wasn’t possible to present a comprehensive overview of the label’s activities within the confines of one 2CD set. Thus we end this volume at the end of 1953 – roughly the halfway point in the label’s life. It’s a convenient point at which to make a break because, with the exception of B.B. King, none of the artists featured here continued their association with RPM beyond that time.