Autosport From 2 June 2016 Pdf

Relive the flower power era with Ultimate… 60s a 4CD collection containing 80 classic hits from the 60s, includes tracks by Elvis, The Ronnettes, Simon & Garfunkel and many more!

Masabumi Kikuchi - Black Orpheus (2016) {ECM-Universal Music Japan UCCE-1160}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 236 Mb | MP3 @320 -> 164 Mb
Full Artwork @ 600 dpi (png) -> 453 Mb | 5% repair rar
© 2016 ECM Records / Universal Music Japan | UCCE-1160
Jazz / Modern Creative / Modern Jazz / Piano

A document of a 2012 Japanese solo recital – not only the last in his homeland but the last anywhere – by idiosyncratic improviser Masabumi Kikuchi (1939-2015). One of the uncategorisable greats, Kikuchi occupied his own musical universe and in his final years was quietly and systematically severing his ties to jazz, drifting instead towards what he called ‘floating sound and harmonies’, introspective and poetic improvisations. Song forms still sometimes materialized. Kikuchi revisits “Little Abi”, a ballad for his daughter, which the pianist once recorded with Elvin Jones. And there is a surprising and very touching version of the wistfully yearning theme from the 1959 Brazilian film Black Orpheus.

Before they were Fleetwood Mac, they were John Mayall's Bluesbreakers. Never before heard live performances from 1967. In 1967, before there was a Fleetwood Mac, Peter Green, John McVie and Mick Fleetwood were John Mayall's Bluesbreakers. The four musicians were only together for three months, which makes it even more remarkable that a staunch fan from Holland was able to sneak a one channel reel to reel tape recorder into five London clubs and capture this exciting glimpse into music history. For almost fifty years these tapes have remained unheard until John recently got them and began restoring them with the technical assistance of Eric Corne of Forty Below Records. Corne adds "While the source recording was very rough and the final result is certainly not hi-fidelity, it does succeed in allowing us to hear how spectacular these performances are." Volume 2 showcases three John Mayall originals including the opening track, all-time blues classic "Tears In My Eyes"; "Chicago Line", complete with John McVie bass solo; and "Please Don't Tell", a great example of the power blues The Bluesbreakers were revered for. Thanks to dedicated fan Tom Huissen who took his one channel reel-to-reel tape recorder into various London clubs in 1967, these historical performances were captured for all time.

Brutal and fast death-metal with twisted double-tracked vocals from Kam Lee, resulting in a cross between Mercyful Fate and Death. The deadliest of death-metal always comes from Florida, and this is no exception.

Even though they started out on Musea, EGOBAND is another Mellow Records Italian obscurity. What does that mean? It means it's hard to find band information. But there is enough to paint a picture. The first album's lineup consisted of Alessandro Accordino on vocals and keyboards,
Fabio Cioni on drums,
Massimo Fava on guitars, and Alfonso Capasso on bass. However, only Accordino and Capasso would be consistent with the group over its four-album career. This, along with the fact that there were no live efforts, leads to speculation that EGOBAND may have been more of a project than a band (a la Steely Dan). They went through interesting changes over their career. Starting out purely Neo, with heavy AOR tendencies, and ending up almost in Canterbury territory by the time they got to "Earth"…