The newest addition to ECM’s popular Old and New Masters Series is a box set reprising the four albums made by Peter Erskine’s American-British-Swedish trio with John Taylor and Palle Danielsson between 1992 and 1997: You Never Know, As It Is, Time Being and Juni. If its core concept – a piano led by a drummer – was unorthodox, the group was nonetheless influential, and the recordings provide an excellent environment for appreciating the distinctive writing and playing of John Taylor.
When the British pianist and composer John Taylor died suddenly in 2015, his 1990s work in a trio with the former Weather Report drummer Peter Erskine and bassist Palle Danielsson was treated as something of an afterthought in such a rich career. But the Erskine-led group had a unique sound and repertoire (Taylor’s chemistry of romantic pastoralisms and jazz drive was a key influence), and a rare collaborative alertness. This box packages all four of their ECM recordings between 1992 and 1997. Taylor’s darting, jig-like Clapperclowe sounds wonderful here with Erskine’s warm-toned pattering behind it; the drummer’s faintly Jarrettish On the Lake is a ballad highlight; Taylor’s devotion to Bill Evans’ ambiguously romantic harmonies surfaces frequently…
The success story of Powerwolf is a true Metal fairy tale: Due to their hearts and souls, passion, and talent, the band has released six albums so far, and with countless intoxicating live shows, they have gathered a huge fan community…
Following an eight-year absence, the Italian rock/progressive group Deus Ex Machina bursts back onto the international scene with Devoto. Blazing into contemporary focus with Devoto, Deus Ex Machina is poised to transcend the accomplishments of its past. Devoto retains Deus Ex Machina’s distinctive blend of fiery, complexly designed music, passionate bel canto vocals, virtuosic instrumental performances and analogue-heavy textures. Here as before, DEM’s music combines both the energy and beauty of early Mahavishnu Orchestra and Larks' Tongues in Aspic-era King Crimson; classic 70s hard rock influences from AC/DC, Deep Purple and, most unmistakably, Led Zeppelin; hints of RIO-tinged avant-progressive; and the unmistakable Mediterranean vibe of fellow 'Rock Progressivo Italiano' combos like PFM…
Bent Knee is a band without frontiers. The Boston-based group seamlessly connects the worlds of rock, pop and the avant-garde into its own self-defining statement.
On its third release (and Cuneiform debut) Say So, the band focuses on the sound of surprise. It’s rock for the thinking person. The group’s lyrics are dark and infused with themes focusing on the emergence of personal demons, unwanted situations and the difficulty of conquering them. Its mercurial sound matches its subject matter. It’s a thrilling aural roller-coaster ride with arrangements designed to make listeners throw their arms up in wild abandon as they engage with them.
Bent Knee is a true collective…
Instrumental 4-piece Tides From Nebula are back with their new studio album Safehaven. Contrary to their former work with Zbigniew Preisner (Earthshine) and Christer Cederberg (Eternal Movement) the album is completely self-produced this time. "This is going to be our 4th release and we are extremely happy to share it with our fans", states the band. "In the past we have worked with acclaimed producers who taught us so much that this time we felt we were ready to take that task upon ourselves. The creative process was smooth and spontaneous similarly to when we were writing our debut album Aura. We are sure that you will be able to hear it all: honesty, darkness, experience and energy…"
After rubbing your eyes and maybe even hitting your forehead with the palm of your hand a few times to convince yourself that, yes indeed, in fact a young pianist has chosen to make his concerto recording debut with the Tchaikovsky and Grieg concertos, go ahead and have a listen. Denis Kozhukhin, who took first prize at the 2010 Queen Elisabeth, here partners with the Berlin Radio Symphony Orchestra under Vassily Sinaisky. Out of repertory that has been celebrated, picked over and just about played to death over the course of almost a century and a half, they create magic.